Beginning with issue 12, Barrelhouse will start paying contributors. Prepare your submissions, everybody.
Echoing Kevin Hartnett’s new year’s resolution here at The Millions, Colson Whitehead tells writers to quit bitching about getting distracted by the internet.
Christine Sismondo believes bars deserve more credit for “produc[ing] a particular type of public sphere in colonial America.” She discusses her new book America Walks Into a Bar with The Smithsonian’s Rebecca Dalzell.
“The demagogic spirit of the ‘radio priest’ Father Charles Coughlin and the ‘minister of hate’ Gerald L.K. Smith has been reborn in the candidacy of Donald Trump, just as the exhortations of the Louisiana boss and rabble-rouser Huey Long, who declared war on ‘the superrich’ and proposed a ‘Share Our Wealth Society,’ all but predicted Bernie Sanders’s attack on ‘the billionaire class.'” Examining what political books can tell us about the election season with Sam Tanenhaus at The New York Times.
As Alden Jones puts it, a “sex-death-art trifecta” is the core of The Small Backs of Children, the new book by Lidia Yuknavitch. At The Rumpus, he talks with the author about the novel, which centers on a war photographer who takes an iconic photo in Eastern Europe. You could also read the author’s Millions essay from last week.
Are you embarrassed about your lack of literary inheritance? You’re not alone. Here’s a great piece by Annie Liontas at The New York Times on those first, lonely forays into the literary world: “But I see my experience as an immigrant into the world of letters as a blessing. Being an outsider is the origin of my imagination; it gives me the constant consciousness that my perspective is only one of many and that there are myriad ways of being in the world. It grants me the gift of being attuned to the voices in the room, as well as all of those shut out of it.”
Recommended reading: “What is Color in Poetry” by Dorothea Lasky for Poetry. It’s a lengthy article but a thoughtful one, and, as a bonus, it includes some of Lasky’s childhood poetry. Pair with our earlier post about reading teenage poetry to crowds and you’ve got a theme for the day.