Anne Enright remarks on Irish censorship, and she recalls the time her own mother was used “as a books mule.”
An Irish Books Mule
Novel-Gazers
According to a survey published in PLoS One between 1960 and 2008 there has been a steady increase in the use of words and phrases that emphasize self-absorption in books. This leads researchers to conclude that we’re growing more narcissistic.
In/Out
“This question of presence seems crucial to Tillman’s project. Her position in a text is tricky—she operates both inside and outside of it, which allows her to thwart distanced critical authority and also perform the aesthetic slippages she admires in others’ work.” On Lynne Tillman’s new story collection.
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Big Kindle On Sale
Normally $379, the Kindle DX, Amazon’s oversized version of the regular Kindle, is today going for $299 thanks to a one-day sale.
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Lesley Nneka Arimah: Artist of the Year
The Minneapolis Star Tribune has named author Lesley Nneka Arimah its 2017 Artist of the Year. They note, “Arimah is at the forefront of a growing number of young authors, primarily immigrants and writers of color — in the Twin Cities, as well as across the country — who are writing some of the most original and interesting fiction and poetry being published today.” Arimah is the author of the short story collection What it Means When a Man Falls From the Sky, a 2017 Year in Reading favorite. She was also honored as one of the National Book Foundation’s “5 under 35” and named as a finalist for the John Leonard Prize. Congratulations!
Bytegeist
This week Margaret Atwood tweeted a photo of her and Alice Munro drinking champagne in a “secret lair.” There’s no denying it — technology has changed the way we tell stories. Atwood and 16 other writers, from Victor LaValle to Lee Child, discussed how technology influences their work in The New York Times. “There’s nothing worse for plots than cellphones. Once your characters have one, there’s no reason for them to get lost or stranded,” Rainbow Rowell said.
Say That Again?
Duncan Murrell has a new essay up on the Harper’s Magazine blog about how difficult it is for journalists to speak to their sources through interpreters. “I became concerned that my interpreters were not delivering my words in the way I delivered them and in precisely the way I meant them,” he writes.
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This conjures other memories of Irish censorship — most particularly my mother’s memory of going to see PSYCHO in Dublin with her future sister in law and a dear family friend who happens to be a priest. The movie was so slashed to ribbons by the censor that they could hardly follow the plot. My mother said that even censored, the movie was still terrifying.
I’m sure it was, Evelyn. Thanks for sharing!