Anne Enright remarks on Irish censorship, and she recalls the time her own mother was used “as a books mule.”
An Irish Books Mule
Born Weird
Meet the man who calls his own fans "scum," R. Crumb. Crumb first rose to prominence after the 1968 debut of Zap Comix, the first of the majorly successful "underground comix" publications. His work with legendary poet Charles Bukowski is worth taking a look.
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The Old Town
"What knits together the families of Roth’s Newark are adults—some foreign-born but many the children of immigrants—who either experienced the insecurity and deprivation of the Old World themselves or heard stories about it from their own parents. What they want most is to find stability in a neighborhood, in a city, and in a country that offers them the chance at security for their families." On Philip Roth and Newark, NJ.
Mary Ruefle in Conversation
New Yorkers: don’t miss your chance to catch Madness, Rack, and Honey author Mary Ruefle in conversation with Alice Quinn. Also, be sure to read Ruefle’s essay, “I Remember, I Remember” if you haven’t yet done so.
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Moving in for the Kill
Killing off your characters is never an easy feat. At The New York Times, thriller writer Alex Berenson discusses his reservations on killing the hero of his spy series. "John Wells has markedly enriched my life — an impressive feat for a man who doesn’t exist." The eighth installment, The Counterfeit Agent, just came out.
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The Thoreau Diet
"Thoreau did kill, cook and eat a woodchuck that was eating his beans. But he decided that was a lousy way to treat a woodchuck and he never did it again." In celebration of his bicentennial, NPR sets straight five myths about Henry David Thoreau's diet, including the pernicious canard that he stole pies from neighbor's windowsills. See also "My Summer with Henry," on reading Thoreau's Cape Cod on Cape Cod.
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Picture Books
The Metropolitan Museum of Art has just released almost 400,000 high-resolution digital images of its collections. Among them are thousands of illustrations from bygone days when "picture books" were not for children alone. Pair with Buzz Poole's reviews of contemporary works of visual literature in The Millions archives, from hand-drawn self-help quotes to politically-charged images of transit in Tehran.
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This conjures other memories of Irish censorship — most particularly my mother’s memory of going to see PSYCHO in Dublin with her future sister in law and a dear family friend who happens to be a priest. The movie was so slashed to ribbons by the censor that they could hardly follow the plot. My mother said that even censored, the movie was still terrifying.
I’m sure it was, Evelyn. Thanks for sharing!