Anne Enright remarks on Irish censorship, and she recalls the time her own mother was used “as a books mule.”
“This question of presence seems crucial to Tillman’s project. Her position in a text is tricky—she operates both inside and outside of it, which allows her to thwart distanced critical authority and also perform the aesthetic slippages she admires in others’ work.” On Lynne Tillman’s new story collection.
The Minneapolis Star Tribune has named author Lesley Nneka Arimah its 2017 Artist of the Year. They note, “Arimah is at the forefront of a growing number of young authors, primarily immigrants and writers of color — in the Twin Cities, as well as across the country — who are writing some of the most original and interesting fiction and poetry being published today.” Arimah is the author of the short story collection What it Means When a Man Falls From the Sky, a 2017 Year in Reading favorite. She was also honored as one of the National Book Foundation’s “5 under 35” and named as a finalist for the John Leonard Prize. Congratulations!
This week Margaret Atwood tweeted a photo of her and Alice Munro drinking champagne in a “secret lair.” There’s no denying it — technology has changed the way we tell stories. Atwood and 16 other writers, from Victor LaValle to Lee Child, discussed how technology influences their work in The New York Times. “There’s nothing worse for plots than cellphones. Once your characters have one, there’s no reason for them to get lost or stranded,” Rainbow Rowell said.
Duncan Murrell has a new essay up on the Harper’s Magazine blog about how difficult it is for journalists to speak to their sources through interpreters. “I became concerned that my interpreters were not delivering my words in the way I delivered them and in precisely the way I meant them,” he writes.