Anne Enright remarks on Irish censorship, and she recalls the time her own mother was used “as a books mule.”
"People who grew up loving From the Mixed Up Files of Mrs. Basil E. Frankenweiler and Night at the Museum can now get pretty close to fulfilling their dream of spending the night surrounded by classic books and artworks." Condé Nast Traveler reports on the hotel at Gladstone's Library in Wales in Hawarden, Flintshire, where guests can sleep in one of 26 rooms with access to the stacks until 10 p.m.
Thanks to her new book, Lydia Davis is getting a lot of well-deserved attention, including an interview with Salon this week. In conversation with Brendan Matthews, she reflects on her “letters of complaint,” her habit of juggling multiple projects and the effects of translating Proust on writing emails.
"One thing that could have made this story end differently is if the United States had a significant cultural policy. We have a trade policy – we protect industries we value – and we have an anti-trust policy designed to protect consumers. We have arts and humanities endowments that assist institutions. But our cultural policy is mostly to let culture fend for itself in the open market. It works great, but sometimes it doesn’t." Salon looks at what Amazon, the Penguin-Random House merger, and the imposition of capitalism to culture might mean for literature at large.
Picture books have always been a good way to teach your children difficult concepts. They cover everything from bodily functions to the makeup of modern families. At Slate, Gabriel Roth writes about a picture book that taught his child about death. You could also read T.K. Dalton on teaching your children about gender.
Now that the Library of Congress is shut down, it’s as good a time as any to remember why we have it in the first place. At Brain Pickings, Maria Popova looks through a collection of vintage catalog cards, two of which include early entries for A Room of One’s Own and Ulysses.
Recommended Reading: Nathan Scott McNamara writes for The Atlantic on why we need indie publishers. “Eighty percent of U.S. books are produced by the Big Five publishers, but with each passing year—and with a stable small number of annual releases—independent presses are earning more of the literary conversation, gaining frequent articles and reviews in The New York Times, The Guardian, The New Yorker, and more.” You could also read Rebecca J. Novelli’s thoughts on Roberto Calasso’s The Art of the Publisher.