“I’ve always referred to it as a troubled project in the sense that I’m trying to tell stories about people who not are here in a way to tell their own stories. I’m trying to speak about an environment I knew well, but I’m aware that I’m dealing with very dark material. I’m pointing out the irony of what we would wish for ourselves and what actually ends up happening.” Teju Cole on tweeting American drone strikes.
It is well known that Vladimir Nabokov and Edmund Wilson had one of the more visible falling outs in literary history over the former’s English-language Eugene Onegin translation, and indeed the history of that relationship’s souring is fascinating. But even still, it’s extremely interesting to read Nabokov’s nine-page “Reply” to Wilson’s “adverse criticism.” If nothing else, one has to wonder what Wilson was thinking when he brought a knife to a gun fight.
In case you missed it: Google bought Frommer’s last August. Then in April, Google announced that it would stop printing hard-copy guidebooks, so founder Arthur Frommer bought his company back. All of this has led Doug Mack to argue that not only do we need guidebooks, but they should be part of the literary canon. “They also stand out for shaping history, if not always intentionally, because of their authoritative reputation—they have long been the best insight into that which would be otherwise unknown.”
New this week is a debut collection of loosely linked stories that’s been getting some attention. Military families are the common theme in Siobhan Fallon’s You Know When the Men Are Gone. Another newly released debut is Eleanor Brown’s The Weird Sisters about a Shakespeare scholar’s three daughters, all named after characters from the Bard’s plays. Also new this week, a tome dedicated to the “hot” condiment of the moment, The Sriracha Cookbook.
“I rather like the idea of just using a few brushstrokes to create a whole world. And, of course, with Twitter you do that, you can tell a very big story in a few lines.” Books and Arts Daily talks with Alexander McCall Smith about the new art of Twitter fiction. Pair with the full text of David Mitchell‘s Twitter story “The Right Sort,” exclusively on The Millions.