It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
“On my manhood rests a tattooed / portrait of Mr. President. / My beloved found that out after we wed. / She was utterly gutted, / Inconsolable.” Poet Maung Saungkha may have to prove in a Myanmar courtroom that he doesn’t have a tattoo of the nation’s president on his genitals.
The book club has turned into a form of protest. Inspired by “The Standing Man,” the Turkish demonstrator who stood for six hours in a silent vigil, protesters are silently standing while reading books. The Al Jazeera photo-essay shows Nietzsche, Camus, and Orwell as popular picks.
In many of Queens’ 62 library branches, copies of books are being borrowed are in Korean, Chinese or Spanish. A library branch in Astoria, responding to its own diverse readership, carries children’s books in Arabic, Bengali, Chinese, Russian, Portuguese and Gujarati. Striving to cater to the intensifying globalization of its surrounding streets, the New York neighborhood library speaks your language as never before.
Out this week: Mr. Mac and Me by Esther Freud; One Step Too Far by Tina Seskis; Munich Airport by Greg Baxter; The Jaguar’s Children by John Vaillant; The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe by Romain Puertolas; and The Sacrifice by Joyce Carol Oates. For more on these and other new titles, check out our Great 2015 Book Preview.
Ladette Randolph began the Writers and their Pets series on the Ploughshares blog in large part to celebrate her beloved dog Sally. It didn’t take long, however, for the series to expand, which eventually led to this week’s entry about Nina Mukerjee Furstenau’s pet elk.
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
“Now I wrote until near dawn, wanting a map of the literary nation, a beautiful evocation of how we are truly a nation of village and city and prairie and brownstone, of Rockies and bayous and mesas. Novels give to every reader someone else’s home. Can we not see this – we of wonder and grievance?” Susan Straight creates a map of America in 737 novels, prompting us to remember the perennial literary question: What is the greatest American novel?