It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
In a piece for the New Yorker, Adam Gopnik writes about a new life of C. K. Scott Moncrieff, the first translator of Proust into English, and about the strange success and beauty his imperfect translation of Remembrance of Things Past achieved. The essay as a whole pairs well with both our own Bill Morris‘s essay against literary biography and Barclay Bram Shoemaker‘s Millions review of Mo Yan‘s Frog and “the trouble with translation.”
Just about every review of Virginia Zaharieva’s Nine Rabbits calls attention to its “narrative virtuosity” and the way it “packs several genres into one.” That might sound like empty praise until you check out this excerpt for yourself, and see that the book is not only a memoir, and a coming-of-age story, but it’s also a cookbook.
Do you have 153 hours to kill? Do you love long French masterworks? If so, the folks at Naxos AudioBooks might have something up your alley. At 120-discs, publisher Nicolas Soames believes his company’s unabridged audiobook for Marcel Proust’s Remembrance of Things Past might just be the longest audiobook in existence. (Note: that means you’d still have 23 hours of the audiobook left after making this drive around the country.)
Recently, we featured five writers’ reminisces about the novels they ultimately shelved. Here a sixth, Elmo Keep, explains what led her to throw away her first novel, quite outside considerations of craft:”I could not resolve the conflict of a story that was not mine.”