It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
Recommended Reading: Bailey Lewis’s short story at Paper Darts “When the South Wind Blows Glass Shatters and Disappears Like Rain.” “A young girl’s body hurtles through a stationery store window at top speed.”
Oh, ghostwriter: that poorly-paid name snuck into the “Acknowledgements” section somewhere after agent’s agent and ex-wife’s third cousin. In the middle ground between Michael D’Orso, who spoke to The Millions of job satisfaction as a hired pen, and Sari Botton, whose reminisces are full of horror stories, Andrew Croft, author of 80 books that sold 10M copies under other people’s names, offers a circumspect take in his Guardian profile. “The ghost is advised never to forget that, at the end of the day, he or she ranks somewhere between a valet and a cleaner.”
Read about Hitler’s vacation homes and how they shaped his image via propaganda in an excerpt from Hitler at Home by Despina Stratigakos at The New Republic. We reviewed Ben Urwand’s book The Collaboration: Hollywood’s Pact with Hitler, which discusses other propaganda surrounding the Nazi regime.
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
The Tournament of Books team over at The Morning News have posted an in depth commentary on this year’s withheld Pulitzer Prize for fiction. The Wall Street Journal asks a handful of book critics to name the books they thought should’ve won. And over at Moby Lives, Nick Davies has rounded up the statements made by the jury in response to the brouhaha. Lev Grossman, on the other hand, outlines why he’s totally okay with the board’s decision. And of course, we’ve got links and excerpts for all the finalists over here.
With the season five premiere of Mad Men fast approaching, now’s as good a time as any to catch up on the intimate commingling of its main characters. Fortunately, the folks at Wired have organized the whole thing into a neat “Illustrated Guide to Mad Men Bed-Hopping.”