“Born Guan Moye, he chose his pen name—“Don’t Talk”—to honor his mother’s caution against talking too much and in sardonic recognition of his failure to heed her warning. Yet I have been struck by his quiet and unassuming presence at literary conferences in Beijing, where he offered kind encouragement in private meetings but evinced a shy persona in public.” On the contradictions of last year’s Nobel laureate, Mo Yan.
A Model of Quiet Dissent
e. e. cummings or YouTuber?
In honor of National Poetry Month, revisit a McSweeney’s article on whether a YouTube commenter or e. e. cummings wrote this line of poetry. Our piece on author parochialism pairs nicely.
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Ulin on King
David Ulin offers a brief consideration of Stephen King. King’s work, Ulin writes, “exposes, with real acuity, a lot about who we are.”
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Form of the Future
“For our readers, time is the precious commodity they invest in every book they decide to purchase and read. But time is being ground down into smaller and smaller units, long nights of reflection replaced with fragmentary bursts of free time. It’s just harder to make time for that thousand-page novel than it used to be, and there are more and more thousand-page novels to suffer from that temporal fragmentation.” Tor.com on why novellas are the form of the future.
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Tuesday New Release Day: McCann, Shriver, King, Lin, DiSclafani
New this week: TransAtlantic by Colum McCann, Big Brother by Lionel Shriver, Taipei by Tao Lin, Joyland by Stephen King, and The Yonahlossee Riding Camp for Girls by Anton DiSclafani.
So Happy For You
Is envy really the worst form of pettiness, as Kierkegaard suggested? Maybe. The great Roman philosopher Cicero had his own, fairly radical thoughts on envy — namely, that “compassion and envy are consistent in the same man; for whoever is uneasy at any one’s adversity is also uneasy at another’s prosperity.”
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America: A Review
“Airing from the 1776-77 season through today, America focuses on a small ensemble of white people using things in the ground to become rich or kill brown people.” Megan Amram reviews America at McSweeney’s.