It’s turning into Speedboat Week here, so why not spend the weekend with some of Renata Adler‘s most renowned nonfiction? Her controversial reassessment of Pauline Kael (featuring “A Limitless Capacity to Inquire,” one of the best found poems you’ll ever read) is at the NYRB, and her deep dive into l’affaire Lewinski can be found at the L.A. Times. Interestingly, as Sarah Weinman points out, Adler’s 2001 book about the Bilderberg Conferences still hasn’t seen the light of day. (“Who suppresses manuscripts? We do!”)
More Adler
Go Get A Refund
Unhappy with Go Set A Watchman? You may be able to get your money back. Traverse City’s Brilliant Books is offering a refund to customers, as well as an apology for what they feel was a misleading marketing campaign.
Brit Bennett on the Opposite Sides of the Color Line
Brit Bennett discusses her latest book, The Vanishing Half, which follows twin sisters as one lives life as a white woman and one as a Black woman.
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Still Concealed Mysteriousness
“What love does in this union is dark and difficult and glorious — and stands on the side of life; who would dare or even want to guess more about it than that; and indeed, you will experience it. Certainly not without interruptions and doubts.” Lou Andreas-Salomé’s poignant advice on love and art to none other than Rainer Maria Rilke is certainly Valentine’s Day-appropriate.
An unscratchable itch
After reviewing a selection of new books on Godlessness, self-described disappointed disbeliever Christopher Beha wonders if literature can fill the spiritual voids of atheism. Our own Garth Risk Hallberg also investigated a slew of New Atheist books just last year.
Where to Begin
What’s the best book to introduce someone to the late Terry Pratchett? The Color of Magic, his first Discworld novel, is an intuitive choice, but it may not be the right one. In The Guardian, Sam Jordison kicks off a debate about the ideal entree to Pratchett’s work. You could also read our tribute to the author.
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Publish or Perish, But Please Don’t Peer Review
The recent shuttering of the University of Missouri Press raises an important question for all academic publishers: is the cost of peer review to blame?
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