“Welcome to another night in the life of Sonia Sotomayor, Supreme Court justice, current queen of the best-seller list and suddenly the nation’s most high-profile Hispanic figure. She may be a relative newcomer to national life, plucked from circuit-court obscurity less than four years ago. But the release of her new memoir, My Beloved World, suggests that she has broader ambitions than her colleagues, to play a larger and more personal role on the public stage.”
Mark O’Connell’s recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of “the slow and the boring” in film, responding Dan Kois’s Times Magazine piece confessing he’s “suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables.”
Do author photographs change the way we see them (or the way we read their works)? At Lit Hub, stare into the souls of a few iconic writers and read about how author photos impact us. You could also read our review of Street Seen, which maps out how photography and reality became intertwined.
Elizabeth Bishop’s Brazil. And earlier: Bishop, translation, and the transmutation of loss.
Congratulations to Millions staffer Edan Lepucki, who sold her debut novel California to Little, Brown at auction this week. The novel, which Edan refers to as “Novel #2” in her article “What Happens When a Book Doesn’t Sell,” will follow a young married couple grappling with a post-apocalyptic world. Consider us extra relieved given Edan’s proclamation in that article: “And this new book, it will be published. If it doesn’t, well, I’ll just die.”