“Maybe I’m not outraged. I’m exhausted and open and exposed and a lot of other people are too because we are wounds that get picked at and picked at and picked at one day, there won’t be anything left to heal.” At The Rumpus, Roxane Gay writes on the sexism and racism of Seth MacFarlane’s Oscars jokes.
Wounded
The Real Racist
One thing that pretty much everyone can agree on is that Go Set a Watchman is a controversial book. Our own Michael Bourne said it “fails as a work of art in every way except as a corrective to the standard sentimental reading of Atticus Finch.” At Slate, Dan Kois, Meghan O’Rourke and Katy Waldman debate the main questions the novel raised.
Covering Anna Karenina
We care quite a bit about book covers here at The Millions, hence our recent rounds of cover-judging. To honor the hundredth anniversary of Tolstoy’s death, Flavorwire has compiled a selection of Anna Karenina‘s many covers, and opportunities for judgement abound.
The Mingle, Part III
Mark your calendars, New Yorkers. The third installment of Ryan Chapman and Jason Diamond’s inimitable networking shindigs will take place on Thursday, July 25th at the Tribeca Grand Hotel. Come for the craic and the free booze, but stay for the balloons.
Two From The Atavist
The Atavist has been killing it lately. Last month, I was riveted by Joshuah Bearman’s outrageous (and completely true) story of one Brit’s attempt to bring a “Baghdad Country Club” to the city’s Green Zone. This month, “Mother, Stranger,” Cris Beam’s account of her abusive mother–a distant relative of William Faulkner–had me on the verge of tears.
The Cultural Logic of Margaret Atwood
Fredric Jameson reviews Margaret Atwood’s Year of the Flood for the London Review of Books.