“Maybe I’m not outraged. I’m exhausted and open and exposed and a lot of other people are too because we are wounds that get picked at and picked at and picked at one day, there won’t be anything left to heal.” At The Rumpus, Roxane Gay writes on the sexism and racism of Seth MacFarlane’s Oscars jokes.
We’ve covered the Atlantic series By Heart a number of times before. It features notable authors writing about their favorite passages. In the latest edition, Mary-Beth Hughes picks out a paragraph from Penelope Fitzgerald’s The Blue Flower, about a poet who’s trying to cope with grief. Sample quote: “Reading Fitzgerald, I felt it was possible to write as I’d experienced dancing.”
Dominic Umile takes a look at the Daytripper, a comic by Brazilian brothers Fábio Moon and Gabriel Bá. The comic, which was selected recently for les Fauves d’Angoulême – the largest comics festival in Europe – concerns the “volley of riches and failure from the desk of an obituary writer.” As Umile notes, the art of obituary writing experienced quite a popularity surge in 2012. Times public editor Margaret Sullivan wrote about the regularity with which obituaries appeared on A1 in the paper, and the column even warranted the creation of its own dedicated Twitter account.
Out this week: Swing Time by Zadie Smith; Born a Crime by Trevor Noah; The China Sketchbook by I. Allen Sealy; Writing to Save a Life by John Edgar Wideman; The Abridged History of Rainfall by Jay Hopler; and Forever Words by the late Johnny Cash. For more on these and other new titles, go read our latest fiction and nonfiction book previews.