Sergey Stefanovich’s “The Library” takes viewers through Duncan Fallowell’s library “which has spilled over into every available space and become an art installation in its own right.”
While doing some work for his publisher, Jesse Browner discovered something odd about a book he published twelve years ago. One sentence — one he thought of at the time as mostly unremarkable — went viral after the book came out, eventually reaching over two thousand hits on Google. What was it like to find this out? At The Paris Review Daily, he writes about the experience. You could also read our interview with our own Mark O’Connell on viral celebrity and his e-book Epic Fail.
This January, Penguin Random House, Goodreads, Mashable and the National Book Foundation are sponsoring National Readathon Day, a holiday which encourages Americans to join together for a marathon reading session. If you’d like to take part, you can start a fundraiser to help support reading education, or else enlist your friends and family to read with you on January 24th from noon to 4 p.m.
Jon McGregor has won the International Impac Dublin Literary Award, otherwise known as the richest literary prize in all the land*, for his novel Even the Dogs. To check out the rest of the pool, you can revisit our coverage of both the long and shortlist for the prize. (McGregor’s tweet about this whole affair was pretty grand, by the way.) [*Ed note: a reader in the comments below has disputed this claim.]
“The New York Times said goodbye to roughly a hundred editorial staffers, with a similar number gone from the Wall Street Journal. Condé Nast might be shuttering Details and Self and will possibly unleash a bloodbath in the fall. Time Inc., Meredith Corporation, and Prometheus Global Media—owner of the Hollywood Reporter, Billboard—and other outlets have all recently cut costs.” Noah Davis on online journalism and the current state of affairs for writers, over at The Awl. Pair with Kate Angus’s essay on making money as a poet.
Those of you who know the joy of reading romance novels with your friends have probably wondered at some point what people who write erotica are like. Are they bankers and professionals? Housewives and mistresses? Are they some combination of all of the above? At Slate, a chaste look at the lives of unchaste writers.