Laura Hillenbrand, author of Seabiscuit and Unbroken, discusses her life with Chronic Fatigue Syndrome. “I’m looking for a way out of here. I can’t have it physically, so I’m going to have it intellectually. It was a beautiful thing to ride Seabiscuit in my imagination.”
How did Herman Melville’s friendship with Nathaniel Hawthorne affect the writing of Moby-Dick? It’s a hard question to answer with any certainty, but Patrick James Dunagan gives it a shot, drawing evidence from Erik Hage’s book on the authors’ relationship. You could also read Hester Blum’s argument that Moby-Dick is the greatest American novel.
“The last thing your creative brain needs is a klaxon shouting WRONG while you’re in the middle of a creative thought. Eventually, as you use Neo, you’ll stop thinking about spelling and typos. This will push your creativity to the next level. You can always step through a spell check any time you like. But not while you’re writing.” Hugh Howey, author of the Wool series, proposes a new word processor called Neo.“I’m currently talking with programmers and consultants on how to get this done,” he writes on his blog, describing the application’s potential features. “Might be a decade before anything comes to light, so don’t hold your breath. But I’m willing to invest the time and money to make this a reality.” Pair with programmer Philip Hopkins‘s meditation on code and writing.
“Think the kennel partner was a man? Think he was, in Braverman’s telling, threatened by her success? You are correct. There are so many stories like this, in Double Bind, of ambition built up and then put in its place: the high school classmate who sneered to Roxane Gay, when he learned that she’d been accepted to Yale when he had not, ‘affirmative action.'”
In the NYRB, a new article on Chris Ware, accompanied by an old joke — dreamt up by none other than Gore Vidal — that a hypothetical New York Review of Comic Books might replace its eponymous predecessor. Last week, our own Mark O’Connell reviewed Mr. Ware’s latest book.