Many feared the permanent loss of thousands of precious manuscripts and relics after insurgents razed Timbuktu’s Ahmed Baba Institute of Higher Learning and Islamic Research. The Institute was home to over 30,000 manuscripts dating back to the 13th century. Or was it? In a fascinating report, Rukmini Callimachi details the extraordinary efforts of the some passionate locals that wound up saving much of the collection.
Update on Timbuktu’s West African Relics
RIP Biggie
To celebrate her father’s memory, T’yanna Wallace, daughter of Christopher Wallace (better-known as Notorious B.I.G.) dropped by Hot 97 with her mother to discuss “her father, working, and relationships with Faith Evans and Lil Kim.”
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Poetry Anonymous
There are a lot of reasons to start writing poetry, but McSweeney’s gives you a list on when to put the pen down. “You were witty that one time while drinking wine at book club” is not an excuse.
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The Reindeer Uprising
“There was an inefficient system in place, and what I did was subvert it by an external rotation of reluctant holly jollies. Nasally, I came to understand that light is a thing that is produced through the collision of particulates, and boy isn’t that the truth.” As part of their year-end review, McSweeney’s republished their ten most popular pieces of 2014, including the above. Its title? “Donald Barthelme Narrates the Progress of the Reindeer.”
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Appearing Elsewhere
Our regular contributor Sonya Chung is interviewed in the latest issue of Bookslut, discussing her new book Long for This World. “I write novels because it’s a place where I can bring all of who I am, and what I know, and what I don’t know but want to know, into a coherent, created world.”
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Masochism and Drama
“Ghosts are just the fucked-up dead.” This interview with David Mitchell on the release of his spooky new novel Slade House is a perfect Halloween read. We interviewed Mitchell this same time last year in conjunction with the publication of The Bone Clocks.
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Class with Harry Crews
When asked about his tenure as a professor of creative writing, Harry Crews used to say, “I may be at the university, but I damn sure ain’t of the university.” But in talking to his former students, Crews’s biographer, Ted Geltner, found that in spite of the writer’s efforts to distance himself from academia, he really was a passionate, memorable teacher. (Bonus: Yours truly named one Crews work his “most representative” Florida book.)
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