Many feared the permanent loss of thousands of precious manuscripts and relics after insurgents razed Timbuktu’s Ahmed Baba Institute of Higher Learning and Islamic Research. The Institute was home to over 30,000 manuscripts dating back to the 13th century. Or was it? In a fascinating report, Rukmini Callimachi details the extraordinary efforts of the some passionate locals that wound up saving much of the collection.
Update on Timbuktu’s West African Relics
Out of Service
Recommended viewing: Katrina Whalen’s short film adaptation of Charles Portis’s “I Don’t Talk Service No More.” Pair with our own Bill Morris’s review of Escape Velocity: A Charles Portis Miscellany.
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“Other creative uses for my fuzzy matter”
Unfamiliar Fishes author Sarah Vowell steps up to bat for this month’s Believer advice column, Sedaratives. She fields questions concerning librarian crushes and dryer lint.
To Thine Own Self Be True
New writers need to trust themselves, Marilynne Robinson advises in an interview with Thessaly La Force for VICE. “The idea that you might do something radically brilliant—that assumption is very empowering and it has given the world a lot of really interesting things to look at,” she said.
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Women’s Artistic Genius
Over at Public Books, Katie Fitzpatrick writes that Dana Spiotta’s Innocents and Others is a novel on women’s artistic genius. Pair with Jason Arthur’s review of the novel.
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Batuman the Bestseller
Brilliant, funny essay by Elif Batuman about “life after a bestseller,” including the time she asked Jonathan Franzen if had any weed. Bonus Link: Batuman at The Millions.
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Keeping it Fresh
How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.