Clusty has unveiled a very cool Shakespeare search engine, allowing one to sift through all the bard’s works with the push of a button.The Washington Post is hosting live lunchtime chats with various authors over the next two weeks to coincide with the 2006 National Book Festival. The highlight: Geraldine Brooks, author of Pulitzer Prize-winning The March on Thursday.Just announced: Another Hannibal book from Thomas Harris called Hannibal Rising, prompting Ed to call Harris “The Laziest Titler in the Publishing Industry.”
Consider these two Tumblrs as late additions to my three-part (one, two, three) taxonomy of literary blogs. Writers at Work is three years in the making, so we’re a bit late to the party, but Erasing Infinite, which creates erasure poems out of each page of Infinite Jest, looks like it’s got a long way to go before it’s finished.
“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.
New this week: Bright, Precious Days by Jay McInerney; Carousel Court by Joe McGinniss, Jr.; How I Became a North Korean by Krys Lee; Moonstone by Sjón; and Still Here by Lara Vapnyar. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Have you ever tweeted only to delete it a minute later after discovering a typo? Yes, even we aren’t immune. At The New Yorker, our own Mark O’Connell examines the public humiliation that follows after you tweet something regrettable. Pair with: Our piece on literary Twitter’s first tweets.