February 22, 2013 | 1 book mentioned

At the New Statesman, Jeanette Winterson reflects on Virginia Woolf’s Orlando, which she celebrates as both a work of fantasy and a “savage satire on sexism.”

is a staff writer for The Millions and an MFA candidate at Johns Hopkins. Prior to coming to Baltimore, he studied literature and worked in IT while living in Dublin, Ireland. You can find him on Twitter at @tdbeckwith.

Add Your Comment:

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.