What do indie rock musicians share in common with experimental writers? A great deal, and not just a distaste for both of those over-used adjectives.
“For years, growing up, I was obsessed with the thought; among my earliest memories is the desire, at age three or four, to run in front of an oncoming bus. Not because I wanted to see what would happen, but because I was sure I knew what would happen: I wouldn’t have to live any longer. I suspect there may be a suicide gene.” Clancy Martin tackles a perennially touchy subject.
“It makes you think you are just about to write, for once, something brilliant.” Everyone knows that Moleskines don’t really affect your writing, but they nevertheless represent a kind of literary standard. As we step into the future and doodling goes digital, will products like electronic writing tablets put the leather-bound versions out of business? Somewhere Hemingway is turning in his grave.
Curtis Sittenfeld did some interesting research for her latest novel, Sisterland. “I went to this New Age bookstore in a distant suburb of St. Louis. I basically went there and was like, ‘I’m doing research,’ and then I un-ironically bought some crystals,” she told The Rumpus.