Recommended Listening: Margaret Atwood on her new novel – one of the most anticipated books of 2015, and the fall of realistic fiction. As she explains it, “when there’s perceived instability that’s happening you can’t write [a so-called realistic] novel and have people believe it.”
Ben Lerner has a story [subscription required] in this week’s New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in “activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting.”
New! This! Week! Forty-one False Starts: Essays on Artists and Writers by Janet Malcolm, Red Moon by Benjamin Percy, Pacific by Tom Drury, Love Is Power, or Something Like That by A. Igoni Barrett (read his piece at The Millions), and Dossier K, a memoir from Novel winner Imre Kertész.