“Ted has another peculiar hobby — that of collecting hats of every description.” Art imitated life for Theodor Geisel, a.k.a. Dr. Seuss, hat collector extraordinaire.
The Cat in the Hat
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Weary Old Men
In an excerpt of Out of Time, a new book on “the pleasures and perils of ageing,” author Lynne Segal makes a case that many iconic male writers — among them Philip Roth, John Updike and Martin Amis — display in their works a belief that the slow loss of virility is one of the most tragic effects of growing older for men. Citing passages from Toward the End of Time and Portnoy’s Complaint, she finds evidence that these writers’ depictions of masculinity reveal “obdurate social hierarchies of gender and ageing.” (Related: Keith Meatto on advice you can glean from Philip Roth’s work.)
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Tuesday New Release Day: Max, Evison, Levithan
New this week is D.T. Max’s biography Every Love Story Is a Ghost Story: A Life of David Foster Wallace, which we excerpted last week. Also out are The Revised Fundamentals of Caregiving by Jonathan Evison and Every Day by David Levithan.
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Are Books Clutter?
When Marie Kondo's Netflix show came out, Hannah McGregor writes for Electric Literature, "the Internet suddenly had a lot of opinions about clutter."
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Extremely Loud and Incredibly Far
“I worry that the closer the world gets to our fingertips, the further it gets from our hearts.” Jonathan Safran Foer believes that technology is making us more detached. Pair with The New Yorker’s essay on netiquette.
Bad Titles
“There’s something to be said for allusive titles: they can be intriguing and draw you in. And obscure titles at least make a change from the current trend for The Woman Who Climbed out of Her Car and Mowed the Lawn. (I made that one up, though it could be a bestseller). But when it comes to titles that are simply misleading, there are just far, far too many.” In a piece for the Guardian Moira Remond considers some of the most misleading and misunderstood book titles, such as John Williams‘s Stoner (which our own Claire Cameron wrote about here.)
Whose Hasn’t?
Sergey Stefanovich’s “The Library” takes viewers through Duncan Fallowell’s library “which has spilled over into every available space and become an art installation in its own right.”
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