Recommended Reading: Just about every poet listed on SUNY Buffalo’s Electronic Poetry Center, but particularly the work of my former creative writing professor, Paolo Javier. His page was added two days ago.
We all spend way too much time in airports this time of year, but Brad Leithauser searched for a metaphor about his journeys through BWI. As he writes for The New Yorker, “There was a piquant pleasure on the night when I first put these two experiences—morning churchgoing, evening airport-going—side by side. I’d been idly and only semi-consciously asking myself what these nocturnal intervals at B.W.I. reminded me of, and now, suddenly, I’d located my metaphor.”
If for some unspeakable reason you didn’t follow my advice when I urged you to subscribe to the VQR over a year ago, then perhaps you need more convincing. Enter: Ron Charles. He’s got a brief preview of the magazine’s Winter Issue, which hit shelves this week, and which contains an essay based on Natasha Trethewey’s Library of Congress speech.
“Every writer needs an editor, and anyone who says he doesn’t has a fool for a muse.” The New York Times interviews journalists on the importance of editors, and it’s well worth the short read. Pair with our own Edan Lepucki‘s conversation with her editor.
Out this week: Lost for Words by Edward St. Aubyn; Another Great Day at Sea by Year in Reading alum Geoff Dyer; Funny Once by Antonya Nelson; Black Lake by Johanna Lane; Closed Doors by Lisa O’Donnell; Decompression by the German writer Juli Zeh; and J.R.R. Tolkien’s translation of Beowulf, published now for the first time. For more on these and other new titles, check out our Great 2014 Book Preview.
Back in July, Patricia Lockwood lit up the Internet with “Rape Joke,” a harrowing poem. Now, at The Rumpus, Lauren O’Neal interviews Lockwood, who talks about “Rape Joke,” the subsequent reaction and her 2012 book, Balloon Pop Outlaw Black. You could also read Elisa Gabbert on Lockwood’s Twitter followers.