Recommended Reading: Just about every poet listed on SUNY Buffalo’s Electronic Poetry Center, but particularly the work of my former creative writing professor, Paolo Javier. His page was added two days ago.
BOMB Magazine sits down with Rebecca Makkai, author of Music for Wartime and The Hundred-Year House. “People love to underrate plot, because it makes them sound like they’re beyond it, like plot is best left to Danielle Steele.“ For more Makkai, check out our interview with her.
“The late 1920s found him in Hollywood (‘This place is loathsome’) drowning, stingless, in MGM honey, while doing hack work on a silly Marion Davies vehicle. His descriptions of reptilian studio fauna make for delicious reading.” At The Daily Beast, a look at P.G. Wodehouse: A Life in Letters.
To honor Peter Matthiessen, who passed away over the weekend, The New Yorker unlocked part of one of the author’s best pieces of travel writing. The piece, titled “The Last Wilderness,” follows Matthiessen as he travels down the Amazon River. (His last novel comes out this week, as well.)
Hate your job? At least you’ve never been Stanley Kubrick’s secretary: “Instead of having [‘All work and no play makes Jack a dull boy’] typed on only the few sheets seen by viewers, the director asked his secretary Margaret Warrington to type it on each one of the 500-odd sheets in the stack. What’s more, he also had Warrington type up an equivalent number of manuscript pages in four languages—French, German, Italian, Spanish—for foreign releases of [The Shining].”