“The only kind of drama is human drama. What matters is how deep you dig.” At the Ploughshares blog, a case for science fiction over “dysfunctional family dramas.”
Speculation
Year in Viewing
Anthony Lane (New Yorker film critic, personal hero) lists ten films he liked in 2010.
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Poems in Extremity
Recommended reading: Sean Singer reviews Poetry of Witness for The Rumpus and calls for readers to see “poems as ethical and political act[s] in the face of extremity.” Pair with selections from editor Carolyn Forché‘s essay on 20th century poetry of witness.
What’s Lost
We tend to take it for granted that the world needs more translated works. The dictates of common wisdom state that reading translated works help us understand the reality of foreign cultures. But what if translation, which erases at least some nuance from works of literature, instead “sifts out the foreign or the unsettling in the name of easy consumption”? In The Irish Times, Michael Cronin reviews a recent book by NYU professor Emily Apter.
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Not Exactly a Science
At Brain Pickings, Maria Popova reads an essay in Biographia Literaria, a book by Samuel Coleridge now available for free in the Kindle store.
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All in Our Heads
Ever since the advent of modern neuroscience, the language of the brain scientist has entered our common vocabulary. Words and phrases like “synapse,” “chemical imbalance” and “hardwired” point to its relevance in contemporary culture. At Page-Turner, a look at how cognitive language and our notion of attention affects the way we think about fiction and music, with particular reference to On Beauty by Zadie Smith and Orfeo by Richard Powers.
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Why A New Madame Bovary?
Lydia Davis, whose new translation of Madame Bovary comes out September 23, blogs at The Paris Review Daily about why we need yet another translation of Flaubert.
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