“The only kind of drama is human drama. What matters is how deep you dig.” At the Ploughshares blog, a case for science fiction over “dysfunctional family dramas.”
Speculation
Édouard Levé’s “Amérique”
Recommended Viewing: Suicide and Autoportrait author Édouard Levé’s photography series, “Amérique.” The series looks at towns in the United States bearing the same names as towns in other countries.
The Last Sports Bar
With the Detroit Tigers in the playoffs for the second year in a row, our own Bill Morris takes to the pages of the New York Times to remember the legendary Detroit bar the Lindell A.C., where sports stars rubbed elbows with the fans.
Counterproductive Categorization
It’s a question that puzzles writers of all stripes: why is so much academic writing so terrible? It’s an issue that’s been a lifelong head-scratcher for the linguist Steven Pinker, who set out to answer the question once and for all. His verdict? It has to do with the meaning of “literary style.”
●
●
Comics on the Big-Screen
It takes decades to build up a great superhero, but only one bad movie to tear him down. Den of Geek explores the downside of comic book adaptations.
●
●
Books Per Square Foot
Via BookRiot we came across this ranking of the top 10 U.S. cities for book lovers; scroll down to see the methodology behind the list. Also pair with our own Janet Potter‘s relationship history with bookstores.
●
●
The Personal Is Political, the Political is Personal
Over at Electric Literature, John Freeman profiles Year in Reading alumnus Ben Lerner, newly minted MacArthur genius and author of two novels in which “the political opens a path for the personal, just as the personal urges him to engage the political.” Freeman writes, “This blending—of perception and politics—comes right out of how Lerner sees the world in real life.” Pair with Christopher Wood’s Millions review of Lerner’s 10:04.
●
●
Something Beautiful
“If I could paint or compose music, I would want to finally arrive at what I felt was beauty for me and for others. I would trust that if I could make something that was beautiful, it would also be true, the way Charlie Parker is true or a Shostakovich cello concerto is true, and I feel the same way about writing. I try to make something beautiful out of language.” Fogged Clarity interviews Stuart Dybek about the writing process and Ecstatic Cahoots, which we mentioned in our 2014 Book Preview.
●
●