“Good kid m.A.A.d city is a memento mori haunted by dead and living ghosts…When they are pieced together as a sequence they act like Muybridge’s zoopraxiscope: they give us the impression that from these clips we are watching a black boy learn to fly above it all.” Rachel Kaadzi Ghansah looks at hip-hop, Kendrick Lamar, and the tradition of the black blues narrative.
Over at the Masters Review, Marjorie Sandor writes about the uncanny in literature and film, the origins of the word, and psychology. “Uncanny. Look it up in a standard collegiate dictionary, and you’ll get a brief, unhelpful definition. Seemingly supernatural. Mysterious. [orig. Sc & N. Engl.]. But the slippage has already begun. Seemingly.”
In 1970, a journalist named Joseph Epstein wrote an essay for Harper’s that came to a frightening conclusion: that Epstein would, if possible, “wish homosexuality off the face of the Earth.” The incendiary language inspired Merle Miller, a former editor at the magazine, to publish a call-to-arms, "What It Means to Be a Homosexual," that became the basis of the book On Being Different. Emily Greenhouse puts the essay in context at Page-Turner.
"In an ironic twist, Super Terrain, a publisher in France, has created a new edition of Bradbury’s classic that actually requires extreme heat in order to be read." The prototype copy of Fahrenheit 451, which looks fully blacked-out until you apply heat, may be available to the general book-buying public in 2018. Check out: an essay about Ray Bradbury from our archives.
In the Times, Jennifer Schuessler reviews Ishmael Beah’s new novel, Radiance of Tomorrow, which takes place in the same war-ravaged setting as the author’s 2007 memoir. Schuessler writes that Beah “delivers a glimpse of the hardships of postwar Sierra Leone along with strong and repeated assurances about the redemptive powers of stories themselves.”