At Electric Literature, on knowing that it’s time to give up your novel.
At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson's latest work Nox: “Grief is paradoxical ... The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”
The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”
"As time passed, I realized the Philip Roth I’d known before the two documentaries we ended up doing was in the process of transformation. The Roth I’d known for many years was an obsessively committed writer who, in the terrifying limbo between one book and another, could fall victim to a storm of depression or be spent to the point of looking as if his blood had been drained from his veins... This Philip Roth seemed to be discovering new, unexpected pleasures in life, like spending time in bed reading in the morning or inviting friends to his home to share with him the meals prepared each night by his newly hired, young and lovely cook." Livia Manera Sambuy writes about her friendship with Philip Roth for The Believer. Pair with Gabriel Roth's recent guide to "everything you need to know" about the elder Roth's oeuvre.