“Imagine a society in which money has been banished. A society in which you would be arrested if you wear eyeglasses, if you wear ties, or if you speak a foreign language.” The Coffin Factory‘s Randy Rosenthal takes a look at Rithy Panh’s The Elimination, an autobiography focused on his adolescence during the reign of Cambodia’s Khmer Rouge.
This week Margaret Atwood tweeted a photo of her and Alice Munro drinking champagne in a “secret lair.” There’s no denying it — technology has changed the way we tell stories. Atwood and 16 other writers, from Victor LaValle to Lee Child, discussed how technology influences their work in The New York Times. “There’s nothing worse for plots than cellphones. Once your characters have one, there’s no reason for them to get lost or stranded,” Rainbow Rowell said.
“I lived alone for three years in Brooklyn, paying $1,700 a month ($61,200 all told) for a pretty but small one-bedroom within eyeshot of the Brooklyn–Queens Expressway. I also spent $400 a month on health insurance. At one point I thought I would find another full-time job after finishing the book, but then I must have convinced myself that teaching yoga part time would better enable my writing.” Emily Gould on poverty and the writing life.
Those who watch the book deal emails from Publishers Lunch know that Chad Harbach, an editor at n+1, recently sold his first novel, The Art of Fielding, but a Bloomberg article today reveals it went for an eye-popping $650,000. The book centers around baseball at a fictional Wisconsin college, and Bloomberg pegs the deal as “one of the highest prices for a man’s first novel on a topic appealing to a male audience.” Possible buried lede: n+1 compatriots Benjamin Kunkel and Keith Gessen saw their first novels sell 48,000 and 7,000 copies respectively, according to Neilsen BookScan.