New Directions announced they will publish Irish author Keith Ridgway’s novel, Hawthorn & Child, which was originally published by Granta books in 2012. Look out for the book this September. As a way to entice prospective readers, Tom Roberge does not mince words. “This is absolutely a New Directions book, and we think those of you who’ve fallen in love with Javier Marías or Roberto Bolaño or László Krasznahorkai as much as we did will agree,” Roberge writes.
If you’ve been on the Internet at any point in the last few weeks, you’re probably aware that Twin Peaks is coming back. The seminal (and seminally weird) show by David Lynch will return for nine episodes in 2016. At The Nervous Breakdown, Joshua Lyons explains what the show meant to him, with the help of visual proof that he copied Bobby Briggs’s hair.
“Loss isn’t science; it’s a human reckoning.” The New York Times posts an e-mail conversation between Joyce Carol Oates and Meghan O’Rourke on why we write about grief, following the release of Oates’ memoir A Widow’s Story and in anticipation of O’Rourke’s own memoir of loss, The Long Goodbye.
Out this week: All the Rage by A.L. Kennedy; The Confabulist by Stephen Galloway; Fallout by Sadie Jones; The Girl Who Saved the King of Sweden by Jonas Jonasson; With My Dog Eyes by Hilda Hilst; Ruby by Cynthia Bond; and The Informed Air by Muriel Spark. For more on these and other new titles, check out our Great 2014 Book Preview.
David Denby wonders: After nearly 150 years have passed since its initial publication and countless imitators have blunted its artistic radicalism does Dostoevsky’s Notes from the Underground still pack a punch? For more contemporary readings of Dostoevsky, see Rob Goodman’s recent article on forensics, The Brothers Karamazov and the death of the courtroom drama.