“And now, as an adult, I love nothing more than curling up with a good book, closing my eyes, breathing in through my nostrils, keeping my eyes closed and not reading yet continuing to draw in oxygen for hours, and, thanks to my fetishized olfactory associations for printed and bound matter, becoming sexually aroused.” On the scent that no e-reader can ever replace.
The Book Was Better is a podcast that “debates, discusses, and rips into the (often) hastily written and terrible book-of-the-film” adaptations for movies like Wild, Wild West, Hackers, The Net, and (try not to be upset by this one…) Jumanji. (Those episodes can be found here, here, here, and here, respectively.)
We've seen a lot of interesting literary fundraisers (and are still a bit in awe of Catstarter) but a recent campaign goes beyond the usual Kickstarter: a group of well-known American writers, from Heather McHugh to Philip Levine to Rebecca Makkai, will be selling manuscript critiques later this month to benefit Caregifted.org.
What do you call a genre that mixes westerns and fantasy novels? Damien Walter proposes the term “weird western.” In The Guardian, he runs down the history of the hybrid category, citing Joe Abercrombie’s Red Country and Molly Tanzer’s Vermillion as examples. Pair with Daniel Kalder on the Euro-Western.
"I’ve always thought Yunior’s voice isn’t possible without hip-hop," Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan's Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane's Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.