After waking us up to their favorite Brazilian novelists, the editorial board at Granta is turning its gaze to Norway. In the first issue of Norwegian Granta, you’ll find a slew of stories by illustrious contributors (among them Jennifer Egan, Roberto Bolano and Alice Munro) alongside new stories from authors native to the country. At Granta’s website, you can read an interview with the magazine’s online editor, Ted Hodgkinson.
The Syrian publishing industry is but one of the casualties in the nation’s ongoing civil war. “The whole of publishing is not more than 10 percent of what it was in the past,” says Samer al-Kadri who runs Bright Fingers Publishing House in Damascus.
The contents of the Warburg Library suggest it was conceived in a fairy tale. As Adam Gopnik describes it, the shelves of the quirky London establishment include things like medieval astrology tomes and a section on “The Evil Eye.” Yet despite its notoriety, the University of London filed a lawsuit against it last year, as part of a move to incorporate the Warburg into its greater library. In the latest New Yorker, an essay on the controversial landmark.
NME journalist and Man and Boy author Tony Parsons has been named London’s Heathrow Airport’s second writer in residence. He will use his weeklong stay to research for his new book Departures: Seven Stories from Heathrow. It will be released in October, and the BAA plans on distributing 5,000 copies to airport customers. In 2009, Alain de Botton served as the airport’s first writer in residence, and he used his stint to pen A Week at the Airport.
“When we think of novels, we often think of chunks of time and the action during those periods. But when I think of time, my teenage years particularly, I think of relationships.” Recent Year in Reading alum Darcey Steinke talks with The Rumpus about being a teenage girl, motherlessness, “quiet” books and her new novel, Sister Golden Hair.
Following its interview with Yelena Akhtiorskaya, Bookforum published its review of the author’s debut novel, Panic in a Suitcase. As in many other books that take place in the post-Cold War age, the plot centers on a group of Ukrainian immigrants, fresh out of the former Soviet Union, who set up new lives in America. However, despite the subject matter, it’s a bit too reductive, Chloé Cooper-Jones writes, to classify the book as an immigrant novel. For more on the book, read Matthew Wolfson’s Millions review.