“Is this the right time to say ‘Zounds, milady’?” A short history of Renaissance Faires.
Milord, Milady
Four Legs Good
This week in book-related infographics: a look at “Memorable Animals from Literature” ranging from Moby Dick to Snowball to Jonathan Livingston Seagull. After all, lest we forget, “four legs good, two legs bad.”
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A Little Day in the Life
“To Yanagihara, the commitment to journalism is a vital expression of the practical side of her nature: she likes the adrenaline of short deadlines and the satisfaction of making a new product each week.” The Guardian profiles Hanya Yanagihara about her life, fiction, and day job as the editor of T magazine, the New York Times style supplement. From our archives: The Millions’ interview with the acclaimed novelist.
Listening in on The Missouri Review
Recommended Listening: The Missouri Review’s new weekly podcast, Soundbooth, which will feature interviews and readings with authors, editors, agents, and more. The first episode is a conversation between editor in chief Speer Morgan and marketing director Kris Somerville on the research they do for the journal’s feature section. You can subscribe here.
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History of Color
Over at Hyperallergic, Chris Cobb explores color photographs of racial segregation from a recently rediscovered collection by Gordon Parks.
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The Vulgar and Beautiful
At Big Other, Greg Gerke reads William H. Gass’s The Tunnel and looks at language, the controversy over the book, and how the vulgar and the beautiful relate.
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Perry’s “Oops”
“Oops is everything that Perry could not do if he still wanted to be President.” What you missed while not watching last night’s Republican Debate in Detroit.
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Why On Earth
“Why on earth would you start a literary magazine?” In an essay for The New Yorker Stephen Burt offers a wide variety of answers, from promoting a new genre to promoting one’s friends. His article pairs well with our own Nick Ripatrazone‘s lit mag question and answer: “What is the wider cultural influence of literary magazines? I am not sure there needs to be one.”
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Only a Gentile
Jeffrey Goldberg interviews Quentin Tarantino in The Atlantic and writes about why Inglorious Basterds is a very un-Jewish treatment of rage toward Nazis.