Bygone Bureau editor Jonathan Gourlay spent eleven years living on the microscopic island of Pohnpei, and fortunately for us he kept his wits about him long enough to churn out a “funny, haunting travel memoir” entitled Nowhere Slow. You can check out an excerpt from the eBook over here.
“In this age of 140-character Twitter posts — not to mention a persistent undercurrent of minimalism in our literature — there’s something profoundly rejuvenating about the very long sentence.” From Hrabal to Joyce to Hugo, Ed Park explores the history of the literary long sentence.
Newbery Medalist and Good Masters! Sweet Ladies! author Laura Amy Schlitz was interviewed for Publisher’s Weekly. She discussed her latest novel, Splendors and Glooms, which “allowed [Schlitz] to marry two of her passions in a single work – [Charles] Dickens and marionettes,” as well as her “half-hour, one-page trick” for writing.
Want your writing to have punch? Want your readers to believe you? “The five-word sentence as the gospel truth…Express your most powerful thought in the shortest sentence,” Roy Peter Clark writes in The New York Times. Sorry that every sentence in this post is more than five words.
Remember that story you were going to write about your neighbor’s dog but never did? When you’re a writer, you have to know when to ditch both the bad and good ideas. At The Atlantic, Bob Brody laments all the stories he’ll never write and concludes: “It’s taken me a long time to learn this—that sometimes the best course of action is inaction.”
Having kids changes everything, of course, but for the writer, used to working in quiet solitude, it can feel like the end. Jessica Francis Kane writes about how she learned to write again, in a new way, after having children and offers some tips for new parents who write.