“In recent decades the traditional outlets for individual short stories have dwindled, with literary magazines closing or shrinking. But the Internet has created an insatiable maw to feed.” Why both the Internet and electronic devices might be good for the short story.
“Ideas are interesting to me, and religions are a place where ideas have been very subtly embodied for thousands of years. All literature started as sacred literature.” Alexandra Alter interviews Salman Rushdie about his brand-new novel, Two Years Eight Months and Twenty-Eight Nights.
“The repetitions, the ellipses, the onomatopoeia: All the markers of Wolfe’s stylistic DNA were adaptive mutations to a competitive climate, search-engine optimization for the typewriter age.” Here’s an interview with Tom Wolfe about his new novel, Back to Blood, which is receiving mixed reviews.
The luck of the Irish is undoubtedly with Poetry Magazine this month in conjunction with the publication of their special Irish issue. In it, twenty-five Irish poets from Caitriona O’Reilly to Declan Ryan showcase some of the best of what the Emerald Isle has to offer; here is Patrick Cotter introducing the book for The Irish Times.
“I have a theory: the thing that makes you a unique writer hasn’t got so much to do with your influences as it does with how you became a writer in the first place. I think your preferences—your obsessions—come just as much from the first sorts of things you consumed and were passionate about. Whether that’s pop music, comics, “lowbrow” fiction, soap operas, or anything else, the thing that matters most is what started you writing stories.” Amber Sparks writes about “lowbrow” influences and the many paths to becoming a storyteller in an essay for Electric Literature.
Baz Luhrmann’s much-delayed Great Gatsby film adaptation may justify its long post-production schedule after all. In an announcement this past week, it was made clear that Jay-Z is “composing the upcoming film’s original score.” The film’s latest trailer can be found here.