If Nicholas Wroe’s profile of Javier Marías doesn’t get you excited to read the Spanish novelist’s work, then maybe Hari Kunzru’s Year In Reading entry from this past year will do the trick.
“I feel very honoured, even if I can’t help thinking I must be a fraud”
Reichenbach Pilgrimage
“I am lately returned from a pilgrimage, bearing bloodied knees and a holy relic; my destination was a place of love and sacrifice that’s lived long in my heart. No Lourdes for me, though: I went to the Reichenbach Falls.” Sarah Perry makes a pilgrimage to the death place of Sherlock Holmes and writes about it for the Guardian.
Literary Interference
To celebrate the beginning of football season, read about how Jack Kerouac’s years of high school football might have led to his alcoholism and depression.
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Philip Roth’s Newark
As a way of commemorating Philip Roth’s 80th birthday, the Newark Preservation and Landmarks committee is offering a $35 bus tour called “Philip Roth’s Newark.” Visitors will get a tour of “places recalled in Mr. Roth’s books” such as Washington Park, the Essex County Courthouse and “various spots in the Weequahic neighborhood where Mr. Roth was born and raised.”
A Necessary Delirium
“A dark and insane fantasy about the players large and small who populated our post-9/11 landscape, it’s not just the book we’ve maybe wanted but possibly the book we’ve needed — a strange lens to help us understand who we were, what we’ve done and who we may yet become.” Nathan Deuel reviews Mark Doten‘s The Infernal (which Adam Fleming Petty reviewed for the Millions here) for the LA Times.
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The Teacher
Although Jon Fosse is not well known in America, his work is revered in his native Norway, where he stands on a par with his onetime student and American celebrity, Karl Ove Knausgaard. In a piece for The Paris Review Daily, Damion Searls argues for Fosse’s relevance, claiming that Fosse is the only writer whose work made him weep as he translated it. You could also read Jonathan Callahan on Knausgaard’s My Struggle.
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Concealing Horrors
“According to David Means and his debut novel, Hystopia, [classic war novels] aren’t simply about confronting the horrors of war, but also about concealing them, hiding them under a layer of rationalizations and wishful thinking that often simplifies their lawless anarchy and finds sense, meaning and purpose where there’s little.” Over at Electric Lit, Simon Chandler reviews David Means’s Hystopia.
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