“Eric Nusbaum went to a bullfight in Mexico City, and, among other things, he realized Ernest Hemingway was totally wrong.”
“We all read from different places, different backgrounds, and my meeting with Proust or Woolf, or Lydia Davis or J. M. Coetzee, will not be yours, nor should it be. On the other hand I do believe reading is an active skill, an art even, certainly not a question of passive absorption. … [so] there must be techniques and tools that everyone can use or try, even if we use them differently.” Tim Parks explains how he reads for The New York Review of Books.
The New York Times‘ David Orr “rediscovers” the poetry of The Solitudes author Luis de Góngora. Góngora, Orr explains, is “one of the most significant figures in Spanish early modern literature.”
Polish filmmaker Piotr Dumala spent three years working on his half-hour-long expressionistic adaptation of Fyodor Dostoevsky’s Crime and Punishment, and the result is a “destructive animation” that’s at once unnerving and beautiful. However in case you’re more pressed for time, you can also get your animated Russian literature fix by checking out Natalia Berezovaya and Svetlana Petrova’s two-minute-long animation for Mikhail Bulgakov’s The Master and Margarita.
If you’re a professor or mentor, it’s the time of year you should expect to be hit up for recommendation letters. You can find inspiration in Ralph Waldo Emerson’s recommendation letter for Walt Whitman, when the latter was seeking government employment despite his controversial poetry. “He is known to me as a man of strong original genius, combining, with marked eccentricities, great powers & valuable traits of character: a self-relying large-hearted man, much beloved by his friends.” Even if the government didn’t like Whitman’s work, we do; read our own Michael Bourne’s essay on the power of Whitman’s poetry.