“Historians, I believe, are dedicated to fighting against the tide of our social amnesia. The reason they continue to write books about the Holocaust, or Appomatox, or the earthquake in Haiti, is to try to help us remember the suffering and the extent of the damage. Some try to humanize, and others turn to abstraction.” Stewart L. Sinclair writes on burying the remnants of disaster, over at Guernica. Pair with his Millions essay on technology and Apple’s operating systems.
“Lovecraft Country doesn’t just race along, it tears, demanding that you keep turning its pages without interruption. I read the second half of the book while walking in my neighborhood, holding the book with one hand and clutching bags of groceries in the other, and then finishing up in bed with a small LED lamp after my wife had fallen asleep. It’s one of those books.” Cory Doctorow reviews Matt Ruff’s Lovecraft Country at BoingBoing.
As an appetizer, consider Rick Poyner’s take on the work of Pierre Faucheux, a book designer Richard Hollis called “the single most important figure in French graphic design after Cassandre.” For the main course, check out this incredible Book Cover Archive edited and maintained by Ben Pieratt and Eric Jacobsen. Finally, as dessert, nominate your favorite book designs from 2011 for Design Observer’s “50 Books/50 Covers” contest.
“Once certain hurdles are cleared (a bit of talent, years of work), being a writer is like flying a kite in a storm in a field full of people flying kites in a storm.” Garth Greenwell on writing his first novel, the importance of failure, and giving oneself privacy to make mistakes. Pair with Meredith Turits’s Millions piece, featuring six writers looking back on their first novels.