You’ve heard about grade inflation, but universities are now dealing with academic job reference inflation, a slightly more adult kind of problem.
“Writing an autobiography was therapeutic and traumatic at times, but unlike the novel it continues its therapies and trauma long after I’ve written it.” Laura van den Berg interviews Porochista Khakpour about the differences between novels and memoirs, structure, and Khakpour’s upcoming memoir, Sick. (Sick is one of our most anticipated June releases).
“Some of the most impassioned conversation in the literary world has been devoted to highlighting what it lacks: voices of people of color, of gays and lesbians, of those marginalized or oppressed or simply ignored. Look a little closer, however, and you’ll notice this conversation focuses on race and gender while paying less attention to a demographic category that’s arguably just as determinative: class.” Adam Fleming Petty on the marginalization of working class lit.
Over at the Literary Hub, Morgan Jerkins writes about the struggle to describe blackness. As she puts it, “My hope is to create imperfect, multitudinous black women who are more in tune with themselves than their audiences.” Pair with our own Michael Bourne’s list of books that “shed light on the history and evolution of racism in America.”
Adding to a review by Pamela Erens for The Millions, Zoë Heller reads Janet Malcolm’s Forty One False Starts for the New York Review of Books. Among other things, she concludes that the writer’s job, at least in Malcolm’s estimation, is “to vanquish mess.” (You could also read a review in The Nation I wrote about a few weeks ago.)