Callan Wink, the Wyoming writer who’s published two stories in The New Yorker since 2011, has a new story, “One More Last Stand,” in Granta’s Spring issue. Among other things, it depicts the oddly frightening “heat of battle re-enactment.”
Costume Drama
….and the joke may just be on you.
Aaron Wiener for Slate on attending a 24-hour long play in Berlin based on David Foster Wallace’s Infinite Jest. And we thought three to four hours of DFW was a marathon.
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Useable Objects
Recommended Reading: This piece from The Atlantic on Marie Kondo and the “privilege of clutter.” While you’re at it, go and read our own Janet Potter’s experience with Kondo’s wildly popular The Life-Changing Magic of Tidying Up.
The End of the Rainbow Room
Is the end nigh for the famed Rainbow Room? Well, if it is, it’ll live on through passages like this one from Alvin Levin’s Love Is Like Park Avenue.
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Writing While Pretty
“I very quickly realized that if you want to seem as a serious writer, you can’t possibly look like a person who looks in the mirror.” Author, Boots spokesperson, Year-in-Reading alum, and all-around badass Chimamanda Ngozi Adichie talks to The New York Times about beauty, feminism, and writing.
On the Reading That Drags On and On
Everyone’s been there: the bookstore event at which the reader drones on and on. The Observer shares some reading horror stories (and a few successes). Sarah McNally of NYC’s McNally Jackson bookstore says, “The traditional reading format is broken.”
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The Right Side of History
“I write, always thinking about the generations of black women who came before me, who faced racism and sexism head-on, and in spite of it all, did their work. They encourage me not to despair.” For Vogue, author Brit Bennett writes about 2017, racism, Trump, and the forward progression of time. Pair with: staff writer Ismail Muhammad‘s interview with Bennett.