Callan Wink, the Wyoming writer who’s published two stories in The New Yorker since 2011, has a new story, “One More Last Stand,” in Granta’s Spring issue. Among other things, it depicts the oddly frightening “heat of battle re-enactment.”
Costume Drama
Hedges’ The Heights
Peter Hedges, author of the novel and screenplay for What’s Eating Gilbert Grape?, as well as Dan in Real Life, and Pieces of April, is set to adapt and direct his latest novel, The Heights. Set in Brooklyn Heights amid its wealthy, over-zealous, stay-at-home mommy set, the novel follows a happy, slightly down-at-the-heel couple as their marriage is tested by the arrival of another woman. (All of the wit of Tom Perrotta’s Little Children, but not quite so dark and cynical.)
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Saving the Wicked Stepmother
Recommended Listening: “I wanted to rescue the wicked stepmother,” Helen Oyeyemi said in an interview with NPR about her new book, Boy, Snow, Bird (which made our 2014 book preview.)
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Here Are Your Hugo Winners
The 2017 Hugo Award winners were announced in Helsinki, reports io9. For the second year in a row N.K. Jemisin came away with the best novel prize for her latest, The Obelisk Gate, and Ursula K. Le Guin (whom we interviewed a few years back) took “best related work” for her collection Words Are My Matter: Writings About Life and Books, 2000-2016.
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Testimonies
At the LARB, Millions contributor Nathan Deuel reviews Silence Once Begun by Jesse Ball, which we covered as part of our Great 2014 Book Preview. Nathan calls the novel “daring and odd” and notes that, as the plot advances, “even we readers become slightly shaky witnesses.” You can learn more about Jesse Ball’s work in our own Janet Potter’s review of his novel The Curfew.
Matt Bell on Creative Competition
Andrew Ervin interviewed Matt Bell for Tin House. Bell’s forthcoming novel In the House Upon the Dirt Between the Lake and Woods will come out this summer. (Excerpt) It’s a book that was at least partially enhanced by Bell’s sense of “competition … of a useful kind” with his friend Robert Kloss. “I was so blown away [by Alligators of Abraham],” Bell admits, “that I can remember having to resist putting down his first novel to go make mine better.”
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Writing the Self
Laura Bennett writes for Slate about how personal essays are taking over the internet. “I think there is just a very fine line between providing a platform for these writers and exploiting them,” says one editor.
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