Callan Wink, the Wyoming writer who’s published two stories in The New Yorker since 2011, has a new story, “One More Last Stand,” in Granta’s Spring issue. Among other things, it depicts the oddly frightening “heat of battle re-enactment.”
Over at The Guardian, Charlotte Jones takes issue with the recently announced sequel of Pride and Prejudice. The book by Terri Fleming will focus on the life of Mary Bennett, a character who is deliberately neglected by Jane Austen. As Jones puts it, “Lizzie only has space in the book for a remarkable interior life because her sisters do not. Even beautiful Jane is a bit insipid – a fact Austen knowingly plays with, as her eventual engagement to Bingley is briefly threatened by Jane’s reticence.”
"When it comes to the personal essay, we want so much and there is something cannibalistic about our desire. We want essayists to splay themselves bare. We want to see how much they are willing to bleed for us. This desire introduces an interesting tension for essay writers. How much should they bleed, and how much blood should they save for themselves?" Roxane Gay reviews Meghan Daum's The Unspeakable and reflects on the personal essay for The New York Times Book Review. Pair with our own Hannah Gersen's Millions review of the same book.
Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”