“Others may prefer to will themselves into James Bond’s dinner jacket and Aston Martin DB4, but I’d rather slip into a !Kung hunter’s penis sheath and heft his hunting spear.” At The Guardian, Will Self explores his odd preference for deeply uncomfortable comfort reading.
“Comfort savagery”
Hungry for Something New
Hari Kunzru wonders whether the recent surge of attention for Hungarian novelist László Krasznahorkai makes him the latest talisman for the young New York literary elite. Regardless, it’s worth revisiting Paul Morton’s interview with Krasznahorkai and Adam Z. Levy’s review of his latest novel, Sátántangó.
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David Byrne Talks Music
David Byrne, Talking Heads frontman, sits down with Smithsonian Magazine’s Seth Colter Walls to discuss his life, musical tastes, and his latest book, How Music Works. You can also read an excerpt from the book over here. (Also, you know, just because I have to…)
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Global Crises, International Art
Olugbemisola Rhuday-Perkovich put together a reading list to help children understand the global refugee experience, and Kaveh Akbar compiled a list of poems from the seven countries — Iran, Libya, Yemen, Sudan, Somalia, Iraq, and Syria — impacted by President Donald Trump’s executive order. Meanwhile, Kieran Hebden (a.k.a. Four Tet) has been curating a Spotify playlist of music from those countries as well.
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Lacework
“The plot, obviously, is kind of difficult to explain, like an earnest, pared-down, hipster Foucault’s Pendulum. Not only are all of the plot turns above laid out through a multiframed narrative, replete with several people’s footnotes, but the events are interwoven with disquisitions on the history of map-making, Situationist philosophy, urban planning, and pop music.” At Slate, our own Lydia Kiesling reads Catie Disabato’s The Ghost Network. (ICYMI, Dan Lopez reviewed the book for The Millions.)
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Spy Fever
With the full trailer out for the upcoming James Bond release, Skyfall, I have to confess I’m totally obsessing over British spy stuff of late. Luckily there are some supplements to scratch that itch: Tina Rosenberg’s new story for The Atavist, D for Deception, about a real British spy writer who became a spy himself; Bee Wilson’s fascinating review of Ben MacIntyre’s outrageous but true investigation of WWII double agents, Double Cross: The True Story of the D-Day Spies; Alexander Cockburn’s recap of the time George Orwell supplied “a list of the names of persons on the left who he deemed security risks” to the IRD; the story of Ernest Hemingway’s lousy espionage; and the video Her Royal Majesty’s recent skydiving escapade with 007.
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From Page to Screen
Some of the most revered literary novels that have appeared in recent years will be adapted for television. Jonathon Sturgeon writes for Flavorwire, “What do we call this new relationship between prestige and streaming TV and the literary novel? The two now shape each other in peculiar, formal ways—like lovers who share an apartment, they’ve started speaking and looking alike.” Pair with this Millions piece on literary magazines in film and TV.