To quote Raymond Chandler: “When I split an infinitive, God damn it, I split it so it will remain split.” Or, dispelling grammar myths, like not ending sentences with prepositions.
Calling All Grammar Nazis
Nolite te bastardes carborundorum
The Royal Winnipeg Ballet is adapting Margaret Atwood’s The Handmaid’s Tale into a ballet.
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End of an Era
Fifteen years later, Salman Rushdie and John Le Carre have ended their feud.
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Lovely Soprano
In the current Broadway production of Twelfth Night, Mark Rylance plays Olivia, a role which sees him plaster his face in white makeup and style his hair into a “pouf like a charcoal brioche.” Rylance, the first artistic director of the Globe Theatre in London, projects such a palpable “air of distracted grief” in his performance that “the carapace of theatricality evaporates,” Charles Isherwood writes. The Times theater critic also highlights the work of John Douglas Thompson and Harriet Walter.
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Stories With Grit
Open Road Media is highlighting a collection of “Stories With Grit,” which is composed of stories that “grab you by the collar, knock you around a bit.” They’ve shared excerpts from some of their favorites, but which ones would you recommend?
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Big Names, New eBooks
A pair of big-name writers have new shorter-form ebook originals out. Stephen King’s Guns is a “pulls-no-punches essay” about gun violence in America, with all proceeds going to Brady Campaign to Prevent Gun Violence. Meanwhile, Richard Russo has a new novella, Nate in Venice.
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