“I used to think that the interesting issue was whether we should have a monarchy or not. But now I think that question is rather like, should we have pandas or not?” Hilary Mantel considers the royal family.
Bring Up the Dianas
J.M. Coetzee on Philip Roth
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The Dead Author’s Home
J.D. Salinger's house is on the market and generating plenty of buzz, but before you make an offer consider "what does it mean to want to live in a dead writer’s house? When does fandom devolve into idolatry?"
Either/Or
“An artist you love occupies a weird in-between place, where they’re somehow a little more than a father, but a little less than a neighbour. They can permanently re-organize your consciousness but they can’t sell you a Coke. You feel you know them more than anyone you actually know, which means that you don’t really know a damn thing. I feel I know Elliott Smith, but if I picture him in front of me, I find myself picturing a tiny figurine, or Mount Rushmore.” Sasha Chapin has written an intensely personal essay about Elliott Smith for Hazlitt. Here is The Millions' own Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.
And “Crude”
Over at The Atlantic Wire, Jen Doll catalogues the many words first coined by Geoffrey Chaucer, which includes such everyday staples as "dotard," "fattish," "caterwaul" and "twitter."
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“A different order of debut”
Hats off to our own Edan Lepucki for being named a Face to Watch by the LA Times! In an article, David L. Ulin says Edan’s upcoming novel is “steeped in southern California narrative tradition” and describes how a drive along Sunset Boulevard inspired the setting of the book. (You can catch up on Edan's work by looking through her archive.)
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Yossarian Wins
At The Paris Review Daily, Katherine Hill (whose debut novel came out two weeks ago) comes up with a bracket of ideal literary friends. (Understandably, Portnoy beat out Humbert Humbert.)
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A Liquid State
“Thus it is our [feminists’] historical task ... to define what we call oppression in materialist terms, to make it evident that women are a class, which is to say that the category ‘woman’ as well as the category ‘man’ are political and economic categories, not eternal ones.” This essay in remembrance of Alexis Arquette touches on everything from VIP guest lists to feminist theorist Monique Wittig.
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The Case of the Aching Wallet
We’ve published a fair number of articles on the issue of finance and employment in a writer’s life. In general, writers assume that the ideal source of income, at least as far as it concerns their own careers, is one that leaves them free of worries and blessed with ample time. In the latest Bookends, Mohsin Hamid and Rivka Galchen tackle a more existential question -- do money woes inspire writers to greater heights of creativity?