A graduate of Iowa’s esteemed Writer’s Workshop has reportedly inked a seven figure book deal for a fantasy trilogy being billed as “a female version of George R. R. Martin’s Game of Thrones.” Also? It was inspired by Barack Obama.
Fanfiction has been gaining mainstream popularity and cultural heft – just take our own Elizabeth Minkel‘s Year in Reading post as evidence. For those of us with less experience in the fic community, Vulture has assembled a comprehensive “Guide to the Fanfiction Explosion,” complete with infographics on Harry Styles fic, an explanation of why Annie Proulx isn’t thrilled about Brokeback Mountain spinoffs, and, of course, a syllabus for further reading.
The Smithsonian has a good reminder about the links between design and history, about how time can seemingly erode the politics behind an aesthetic movement, about the relationships between images and texts, about how Italian futurism may still look cool but came from a group of sexist and at least partially fascist men.
Recommended Reading: Blake Morrison on the literature of England’s flood-prone east coast.
Robert M. Pirsig, author of Zen and the Art of Motorcycle Maintenance and Lila: An Inquiry Into Morals, died today at the age of 88, according to a statement released by his publisher. Pirsig’s work explored a system of thought called the “Metaphysics of Quality,” which has been defined as “a thesis that quality is the basis of reality, and that this understanding unifies most East Asian and Western thought.”
“Sometimes I think I’ve lost my nerve a little bit. I think it’s growing older, and a certain reservoir of anger literally runs out.” The Guardian interviews James Wood, author and book critic at The New Yorker, about his craft, his forthcoming novel Upstate, and the landscape of today’s literary criticism. Pair with: an essay about the greatness (and great influence) of Wood on a fellow novelist.
Last week, I directed you to a piece in The Atlantic by John Yorke on the substance of stories. His argument: that all stories have one thing in common–their plot. Now, Lincoln Michel at Electric Literature suggests that rather it is all story structure models that have one thing in common–and that thing is bullshit.