Believe it or not, there may be a connection between Walt Whitman and US drones.
Must be willing to perform “light, household maintenance.” Harry Bliss, an illustrator and cartoonist at The New Yorker, has purchased the former home of J.D. Salinger and will turn it into a retreat for one lucky cartoonist during February 2017. Pair with our review of J.D. Salinger: A Life, a comprehensive biography of the famously reclusive writer’s work.
In October 2011, Hannah Gersen convincingly argued that the Occupy Wall Street protests bore more than a few similarities to Bartleby, The Scrivener. Now, amid the political demonstrations going on throughout Turkey, Millions contributor Kaya Genç draws a similar parallel between Istanbul’s “Standing Man” and Herman Melville’s famous protagonist.
Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
“Joseph K., that icon of single-lettered anonymity from Franz Kafka’s novel The Trial,” writes Tom Engelhardt for Guernica, “would undoubtedly have felt right at home in [James] Clapper’s Washington.”