We submit that beginning a love story with the lede “I never intended to get a tortoise” pretty much guarantees that the reader will read to the end. In Sunday’s New York Times Style section, Caroline Leavitt puts our theory to the test. (If you like her essay, you might want to pre-order her new novel.)
"To the pathless wastes, into thin air, with no reviews, no best-seller lists, no college curricula, no National Book Awards or Pulitzer Prizes, no ads, no publicity, not even word of mouth to guide me!" For her new book The Shelf: From LEQ to LES, Phyllis Rose undertook the ultimate stunt in writing-about-reading: an unsorted shelf with no logic at all.
"The Hatchet Job Award appeals, in its depressingly calculated way, to the basest and most self-serving of journalistic instincts, and seems to arise out of, and perpetuate, a misunderstanding of what criticism actually is." At Slate, our own Mark O'Connell criticizes the award for promoting the same bad criticism it claims to detest.
Still deciding what to do this Friday night? Watch PBS's new documentary on Alice Walker, Alice Walker: Beauty in Truth, at 9 p.m. EST. At The Daily Beast, Agunda Okeyo discusses the history of the film's production, which took six years. "Stories about women of color told by women of color are sidelined and neglected in favor of our stories being told by white women and men," director Pratibha Parmar says.
Year in Reading alum Angela Flournoy writes about Ralph Ellison’s Invisible Man for the National Book Foundation. “I return to Invisible Man often because it accomplishes so many things at once, but never at the sake of intelligent, moving storytelling.” Pair with our interview with Flournoy.