Man, if Ian McEwan has crises of faith in fiction, how should the rest of us feel? Good question.
“If you remember the sixties, then you weren’t really there.” We’ve all heard the saying, but in case you actually forgot what the sixties were like, I have good news for you. The complete archive of Oz Magazine, sometimes called the most controversial magazine of the sixties, is available for download over at Open Culture. Oz regularly featured work by such artists as R. Crumb, Germaine Greer, and many more.
“I think what I would really most like to write about is palm trees and bougainvillea and hummingbirds. I would like to go into the desert and write about salamanders and the Grand Canyon, but history keeps rupturing my experience because politics are everywhere.” National Book Award winner Robin Coste Lewis on overcoming brain damage and becoming a poet. Pair with Andrew Kay’s Millions essay on the power of poetry.
The more you know! In Victorian times, sitting for a photograph could last hours due to primitive camera technology and the need for long, long exposures. This, predictably, didn’t jibe with kids, and so parents had to adopt an ingenious workaround: disguising themselves in the picture so they could physically restrain the youngsters. (Don’t miss Part 2, either.)
At 3 Quarks Daily, Akeel Bilgrami’s essay on the pleasures of literature: “To understand what is special about literature is not to delegate the emotions to literature while retaining thought for philosophy and science. The idea is to find in the distinctly expressive function of literature, a refusal of that tired dualism.” (via Book Bench)
“I couldn’t help but feel that technology had circled back to some of its earliest purposes: broadcasting anti-black violence as widely as possible, as both entertainment and warning.” Our own Ismail Muhammad writes for Real Life about the tension between bearing witness and perpetuating paradigms of white supremacy while on the web. And if you haven’t yet read it, do spend some time with this review of Nate Marshall‘s Wild Hundreds, which provides some fortification.
It’s rare that Warren G. Harding gets much attention these days, which is why it’s all the more interesting that Sadie Stein’s father, when she was growing up, grew fascinated with the single-term president. At the Paris Review Daily, she recounts her family’s visit to Harding’s home.