Writing for Full Stop, Robert Fay asks, “If Mr. [T.S.] Eliot had to have a day job, why is it that writers and poets today are so cagey about what they do to pay the bills?” Previously, two of our staff writers have explored similar aspects of the same question. In 2009, Emily St. John Mandel wrote of the “constant struggle” that arises from “striking a balance between writing literary fiction and paying the rent.” And last year, Edan Lepucki looked at the perils of including “non-writing jobs” in one’s author bio.
Coffee House Press recently announced it will be partnering with Emily Books, whose co-founder Emily Gould is a Year in Reading alum, to form their first imprint, which will publish two original titles a year. Their news pairs well with Electric Literature‘s “2015 Indie Press Preview.”
“As much as I claimed that I read for my own edification, it was a lie. The books I was most drawn to were those that were loved by someone in my life. Reading them, I thought, would teach me all I needed to know about them—nice and safe, from a distance. Reading them with one hand, it was easy to have the other keep them at arm’s length.” Romy Sugden writes for The Oyster Review about trying to connect with her estranged father by reading John le Carré‘s A Perfect Spy.
Poets and Writers sits down with Year in Reading alumnus Saeed Jones to talk writing, publishing, and BuzzFeed. “Creating change is about having a critical mass of several influences, but one is the right people, and creating a space where people feel that they can speak up and have these conversations and experiment.”