Are you still not following Pentametron, even after I urged you to do so last week? (And even after New York Magazine added it to its Approval Matrix?) Well, if that’s the case, I shouldn’t even share Earwickr with you. You don’t deserve to read Finnegans Wake spelled out on your Twitter timeline, 140 characters at a time. (Bonus: Michael Chabon reviews James Joyce’s final work for The New York Review of Books.)
Annalee Newitz asks “What does science fiction tell us about the future of reproductive rights?“
Alright, time to fess up – who keeps buying all these Mein Kampfs? This piece from The Daily Beast takes a look at Hitler’s 800-page tome and questions why people continue to buy it despite the fact that “it might be dull as one of those many lunchtime monologues that bored Frau Goebbels cross-eyed.”
“Fifty Shades of Grey follows this long history of class ascendancy via feminine wiles, but does so cleverly disguised as an edgy modern bodice-ripper,” writes Heather Havrilesky in the latest issue of The Baffler. Throughout the piece, Havrilesky explores the way luxury brand fetishism and conspicuous consumption fueled E.L. James’s “female-friendly” pornography phenomenon
“I’ve always loved memoir, but it’s still seen as such a trashy genre and I wanted to speak to it as actual literature because that’s how it feels to me.” Mary Karr sits down with The Rumpus to discuss The Art of Memoir. We recently posted an excerpt from and a review of the book.