The Los Angeles Review of Books looks at a new history of K Records, the influential Olympia, WA-label that gave us Beat Happening, Modest Mouse, and Kurt Cobain’s arm tattoo.
“If rats then represent terror and chickens innocent striving for something approaching authenticity, humans, for Lispector, are strangely in the middle, often stricken with fear, or handing out terror, but ready also to soar or break loose or achieve some freedom or be fully alert to their fate in a time short enough for one of her stories to be enacted.” Colm Tóibín writes about Clarice Lispector’s The Complete Stories. You could also check out a Year in Reading by Katrina Dodson, translator of the collection and our review of the book.
Sam Sacks takes a look at the “two major acts” in the life of Vasily Grossman, the Jewish-Russian author perhaps best known for his monumental account of the Stalingrad siege, Life and Fate. (Bonus: Life and Fate was picked by Stephen Dodson as his Year in Reading pick back in 2011.)
What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.
The International Writing Program at the University of Iowa is offering two seven-week online seminars free of charge this summer: Advanced Poetry and Poetry Masterclass. The seminars are intended for emerging and published poets, respectively, and they will be taught by Micah Bateman and Nick Twemlow. Anybody with an internet connection is allowed to apply, and applications are due May 8th.