The New Republic has launched its new redesign, and with it, asks the question as to whether Beyonce can have it all, let alone us mere mortals.
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Make Margaret Atwood Fiction Again
“I haven’t met Drake, but I have of course met people who have met Drake. But you have to realize how o-l-d I am. I’m not likely to go to the same parties. Or many parties at all, to be frank.” Junot Diaz interviews Margaret Atwood for The Boston Review. We obviously recommend you read our respective interviews with them both, too.
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You Should Be Writing
Sometimes we just need a gentle little reminder. Here are some love letters to you from all of your unfinished writing, who would like to propose a little ménage à trois with you and your editor. Last year’s iteration of the series is also well-worth a revisit.
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Two Trailers from Two Dollar Radio Moving Pictures
Recently I reported on the launch of Two Dollar Radio Moving Pictures, a cinematic venture from the indie publishers in Ohio. Since then, a pair of teaser trailers have been released for the first films in the organization’s pipeline. One is for The Greenbrier Ghost, which was co-written by Crapalachia author Scott McClanahan. The second is for The Removals, and it was directed by Orange Eats Creeps author Grace Krilanovich. (A few years back I gave TOEC some love in my Year In Reading post.)
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Welcome Emily St. John Mandel!
To kick off 2010, we at The Millions are thrilled to announce that Emily St. John Mandel has joined us as a regular contributor. Emily lives in Brooklyn. Her first novel, Last Night In Montreal, was recently published by Unbridled Books; her second novel, The Singer’s Gun, will be published by the same press in May 2010. Her pieces for The Millions are collected here. Welcome Emily!
Levine Named Poet Laureate
Philip Levine has succeeded W. S. Merwin as America’s latest poet laureate. Now is as good a time as any to revisit his interview with The Paris Review. You could also watch one of his readings if that’s more up your alley.
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The Master and the Big Screen
Russian movie producer Svetlana Migunova-Dali is working with U.S. producer Grace Loh, who produced Hot Tub Time Machine, to adapt Mikhail Bulgakov’s The Master and Margarita for the big screen. They say they’re working with a feature film budget of up to $100 million, and they want A-list actors to fill out the cast.
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