The New Republic has launched its new redesign, and with it, asks the question as to whether Beyonce can have it all, let alone us mere mortals.
Pacific Standards profiles Ken Layne who quietly started the popular quarterly literary magazine, Desert Oracle for a town of 8,000 people. Now it has gained far more readers than that as it highlights works related to the American desert. “The reason that the Oracle works is that it’s always trying to elicit that feeling, the awe and wonder that the desert reveals to you when you listen hard enough. Layne believes it’s not an accident that religious awakenings, UFO sightings, walkabouts, and other revelations occur in the desert. It’s a consequence of solitude, stark beauty, and the tenacious life that only the desert has.”
“If one-sentence stories are as common as snowflakes, one-sentence novels are as rare as white ravens.” At The New Yorker, Brad Leithauser writes about the one-sentence novel or the point when the story builds to a particular sentence. To give you an example, here’s one of his favorites from Lolita: “I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art.”
In 2013, only 93 of 3,200 children’s books were about black characters, according to a new study. “Children of color remain outside the boundaries of imagination,” Christopher Myers writes about the absence. In a follow-up piece, his father and fellow author Walter Dean Myers examines the paralyzing effect under-representation can have on readers. “Books did not become my enemies. They were more like friends with whom I no longer felt comfortable. I stopped reading,” he writes.
“I’ve always been interested in the internal shape-changes of the poem. In my student days, it was common to assume that the poem makes a statement — that it’s protesting war, or is grieving a death. My teachers, on the whole, didn’t see a poem as an evolving thing that might be saying something completely new at the end because it had changed its mind from whatever it had proposed at the beginning.” An interview with Harvard’s Helen Vendler about the structure of poetry, the benefits of studying science and mathematics, and the “miraculous” voices of Shakespeare and Keats.
Joshua Rothman writes for The New Yorker about Virginia Woolf, Mrs. Dalloway, privacy and “a gift that you’ve been given, which you must hold onto and treasure but never open.”