The New Republic has launched its new redesign, and with it, asks the question as to whether Beyonce can have it all, let alone us mere mortals.
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After the Storm, a Novel
“What stereotypes will they critique, destroy, or create? What, in other words, will the post-earthquake novel reveal about Haiti’s most recent losses, obstacles, and hopes for the future?” Patti Marxsen on the post-earthquake Haitian novel, over at The Critical Flame.
Lit Mags, Ahoy!
Three cheers for literary magazines, eh? Do yourself a favor and check out Tin House’s new Portland/Brooklyn issue (with mixtape to match!), DIAGRAM 12.4, Hobart’s revamped website (with daily content!), and the brand new Revolver magazine out in the Twin Cities.
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The Deletionist
“The Deletionist is a concise system for automatically producing an erasure poem from any Web page. It systematically removes text to uncover poems, discovering a network of poems called ‘the Worl’ within the World Wide Web.”
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Perfect Punctuation
Conquest of Panic
Irving Howe asks how Hemingway commanded the attention of a generation. Howe writes, "His great subject, I think, was panic." Our own Michael Bourne recently answered this question, recognizing Hemingway as a middlebrow revolutionary.
Sunshine Journalism
California seems to have it all: Hollywood, the sun, vineyards, and more. Yet it doesn't have a weekly magazine. California Sunday will change that by launching a magazine delivered on digital platforms daily and in local print newspapers every Sunday. Bonus: They're hiring.
Tuesday New Release Day: Canin; Jansma; Majka; Griffin; Kennedy; Perabo; Dacey; Montes
Out this week: A Doubter’s Almanac by Ethan Canin; Why We Came to the City by Kristopher Jansma; Cities I’ve Never Lived In by Sara Majka; Hide by Matthew Griffin; The Blue Hour by Douglas Kennedy; Why They Run The Way They Do by Susan Perabo; We've Already Gone This Far by Patrick Dacey; and Perfect Days by Raphael Montes. For more on these and other new titles, go read our Great 2016 Book Preview.
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