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“Think of landscape. Think of how elements come to be attached to one another, how it’s impossible to separate the road from the field, the field from the tree, the tree from the water, the water from the sky. We cannot attribute natural features to the lines we design just as we cannot attribute natural causes to those dying as they try to cross them.” For Tin House, Portuguese writer Susana Moreira Marques meditates on the concept of borders and Wolf Böwig’s photography project, “Borders and Beyond.”
At The Rumpus, our own Nick Ripatrazone writes about his twin daughters, Amelia and Olivia, who taught him that, when it comes to twins, “there are two babies but three identities: one for each baby, and then the twin identity, an amorphous, shared mass of personality and action that makes Amelia fuss one night and Olivia the next.” The essay nicely complements Nick’s Millions piece on Andre Dubus.
Last year, I pointed readers to Numero Cinq, a new Canadian lit mag with a notably memorable tagline. In the latest issue, which is split into seventeen parts, Benjamin Woodard talks with Lydia Davis about her Flaubert translation, her new story collection and the art of writing while traveling. (h/t The Rumpus)
What’s behind the rise of the new-adult genre of fiction? You could blame the rise of Millennials, but that would be, as Emily Landau argues in a piece for the Canadian magazine The Walrus, too cheap and reductive to really answer the question. Instead, she says that we should look at NA as fundamentally similar to YA, with the main difference being that NA books portrays characters on the cusp of independence. (Related: we polled a group of high school students to find out their favorite YA books of 2013.)