Interested in seeing unsettling characters — preferably with moustaches — looking for meaning in wacky postmodernist settings? Well, o ye of of bizarre inclinations, you’re in luck: Thomas Pynchon is rumored to be working with Paul Thomas Anderson. (He’s also coming out with a new book.)
A Hawaiian woman named Janice Keihanaikukauakahihuliheekahaunaele has won her battle against the state’s government computer systems and will now be able to fit her name – all 36 letters and 19 syllables of it – onto her driver’s license and ID card. Previously she’d been using a truncated version on her official documentation.
We can’t stop gobbling up Elena Ferrante’s Neapolitan novels, but we also won’t stop asking who Elena Ferrante really is. Why do we need to know the author’s true identity, asks Electric Literature? (Our own Michael Schaub revealed that he was Elena Ferrante earlier this year.)
On July 8th 1618, Ben Jonson set out walking from London. Over the next few months, he traveled 400 miles on foot until he reached Edinburgh on September 5th. To commemorate the epic voyage, a team of researchers is re-enacting the walk online by updating a dedicated blog, Twitter page, and Facebook profile with a series of posts corresponding to dates, locations and occurrences Jonson experienced along the way. All this sounds grand enough, but I’ll be really impressed when somebody truly re-enacts Jonson’s mock-epic poem about paddling London’s disgusting Fleet Ditch: “On The Famous Voyage.”
To celebrate the release of Curiosity and Method: Ten Years of Cabinet Magazine, the Cabinet editors put their own magazine on trial, filling up an NYPL auditorium with academics and writers who, perhaps inevitably, began to compete in a kind of irrelevance-off. Which begs the question, answered well by The New Yorker’s Sasha Frere-Jones in Bookforum: how relevant to the wider culture is a magazine like Cabinet, anyway?
“What if, instead of simply critiquing Go Set a Watchman’s failure, we tried to analyze it? The new, older work makes more sense if we read it as an attempt to accomplish two tasks: first, to master—unsuccessfully, it turns out—the smart-magazine style that Harper Lee developed in her student journalism; and second, to write in a genre that often relied on the ironic elisions typical of ‘smart style’: the midcentury social-problem novel.” Tom Perrin on Harper Lee and the social novel. Pair with Michael Bourne’s Millions review.