Over at Vol. 1 Brooklyn, Nick Curley prescribes “five passages from great Irish writers” as a means of coping with Notre Dame’s recent loss to Alabama in the college football BCS National Championship Game.
L.A.-based readers won’t want to miss this weekend’s Los Angeles Times Festival of Books, held this year on the USC campus. Millions staff writer Patrick Brown will be moderating a panel discussion about bookselling, “From the Front Register,” on Saturday at 12:30 pm. At 2:30 that same day, I’ll be on a panel facilitated by Lizzie Skurnick called “Fiction: The Long and Short of It.” My fellow panelists are Yiyun Li and occasional Millions contributor Victoria Patterson. Go here for details and to order panel tickets (just $1 each)!
“What a horrible silent noisy people they are … My feeling toward those mice is flat-out fear. It has to do with the unexpected, unbidden, unavoidable, virtually silent, persistent, ulteriorly motivated appearance of these animals.” It looks like Franz Kafka really didn’t like mice. Reiner Stach, author of the definitive two-part biography of Kafka (The Decisive Years and The Years of Insight) has released a new book of Kafka ephemera called Is That Kafka? 99 Finds full of fascinating facts that never found a place in the biographies at large. This Millions review of Stach’s biographies might also suit your Kafka fancy.
“The best critics do more than explain why they liked or didn’t like a book; they try to understand books, and show other readers, by example, how to read and think about those books. Specialized expertise can work in service of that goal, but is probably not as important as a willingness to attempt to be a work’s most thoughtful reader.” Elisa Gabbert writes for Electric Literature about who gets to translate and review works and takes Kazuo Ishiguro‘s latest novel, The Buried Giant (which we reviewed here), as a case study.
“Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us. But does it matter to everyone else?” mensah demary writes about the good, the bad, and the slightly neurotic of being a writer on Twitter for Electric Literature.