The Graveyard Movie

“At a time when heated conversations about diversity and cultural appropriation in literature abound, The Loved Ones is a wondrous gift, a pleasant reminder that there are many thoughtful writers who can create believable characters of multiple races, ethnicities, and genders without relying on caricature or stereotypes.” We’re all warm inside from Necessary Fiction‘s lovely review of Millions staff writer Sonya Chung‘s novel, which we featured in our second-half 2016 book preview.

To celebrate their thirteen-month anniversary, Open Letter Books is having a sale. Buy any two books from their catalog for $22, and you are also entered to win a free subscription for a full year of their titles. Don’t know where to start? Their books include Vilnius Poker, touted as the preeminent Lithuanian novel of the past twenty years, as well as Dubravka Ugresic’s formidable collection of essays, Nobody’s Home.

Recommended reading: The Chronicle of Higher Education reports on the new modesty of literary criticism and the complicated relationship between texts, critics, and politics. For more on the balance between art and politics, look no further than Jonathan Clarke‘s Millions essay, “Alive with Disagreement and Dissent.”

Leave it to Roxane Gay to come up with a novel format for an essay on the feminist novel. In the new issue of Dissent, she presents eleven theses on the topic, including references to Toni Morrison’s Beloved, Erica Jong’s Fear of Flying, and Jeanette Winterson’s Oranges Are Not the Only Fruit. Sample quote: “Not every novel that concerns itself with the lives of women is a feminist novel. Fifty Shades of Grey is not a feminist novel.” You could also read our own Edan Lepucki on the problem with feminist anthems.