The Day After Hun’s Day
Read what you want.
After last week’s NYT “Room for Debate” feature, ostensibly in answer to the question of why so many adults read YA fiction, Roger Sutton at the Horn Book took umbrage at the panelists’ only partial engagement with the question. In the end though, he makes his own position clear: “I don’t worry about adults reading YA novels. Read what you want.”
Jonathan Lethem’s Brooklyn
Jonathan Lethem gives The Guardian a tour of his Brooklyn neighborhood.
Emily Gould’s Mysterious Book Project
Emily Gould, former Gawker editor, author of And the Heart Says Whatever, proprietor of the literary cooking show Cooking the Books, appears poised to launch a new literary venture, Emily Books. So says The Observer.
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Tuesday New Releases
Among the books hitting shelves this week are Pulitzer winner and New Yorker staffer Louis Menand’s The Marketplace of Ideas: Reform and Resistance in the American University and memoirist and poet Nick Flynn’s The Ticking is the Bomb. Also new, Melville House is putting out a novella, Union Jack, by Nobel laureate Imre Kertész, and NYRB Classics has published Fortunes of War: The Balkan Trilogy a novel by Olivia Manning based on her time in Eastern Europe during World War II. Rachel Cusk provides an introduction to the edition.
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Zen and the Art of Headlines
This handy guide from The Week shows how to identify which website a headline comes from, from Gawker to The New York Times. Pair with Janet Potter’s Millions piece on rewriting book titles to get more clicks.
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Best Last Lines
The American Book Review has a list (pdf) of the 100 best last lines from novels. I can’t think of mine; I keep getting “last line” confused with “end.” Thoughts? (Thanks Shakesville).