Now that you can purchase the letters of William Styron, you can note how especially funny (and sad) it is that Darkness Visible, the author’s book-of-self-help-slash-memoir-slash-confession, sold well enough to overshadow the novels that made his name.
From Werner Herzog’s letter to Rosalina, the woman he employs to keep his house: “Music is futile and malicious. So please, if you require entertainment while organizing the recycling, refrain from the ‘pop radio’ I was affronted by recently. May I recommend the recitation of some sharp verse. Perhaps by Goethe. Or Schiller. Or Shel Silverstein at a push.”
On Emily Dickinson‘s self-portrait, sherry, the power of handwriting and those notes we all passed around in junior high, from the Kenyon Review blog.
New this week: Salman Rushdie’s much talked about memoir Joseph Anton, T.C. Boyle’s San Miguel, The Life of Objects by Susanna Moore, and Irvine Welsh’s Trainspotting prequel Skagboys. Also new this week: Paul Elie’s Reinventing Bach, Sylvie Simmons’s biography I’m Your Man: The Life of Leonard Cohen, and n+1 vet Marco Roth’s memoir The Scientists.
Ever since Pulphead, we can’t get enough of John Jeremiah Sullivan, so we’re happy to hear he’s at work on his next book, The Prime Minister of Paradise. Sullivan will tell the story of Christian Priber, a German American who tried to establish a utopia in 18th century South Carolina. “This man, he really represented the height of the enlightenment at the time,” Sullivan said during a recent interview at Notre Dame. No word on an official release date yet, but it’s already being optioned for film by Scott Rudin.