Sonia Faleiro takes a look at the “book boys of Mumbai” who participate in India’s quasi-illegal pirated book market. (It’s an issue also discussed in Akshay Pathak’s most recent dispatch on Indian publishing.) Faleiro notes that books often appear on the streets as soon as they’re released to stores – and also that by 1999, as much as “20 to 25 percent of all books sold in the country were pirated.” Meanwhile, the former production editor in me wonders, how the heck are they re-printing these books so quickly?
Let’s take a moment to be jealous of other countries, shall we? In Iceland, “one in ten [residents] will publish something in their lifetime.” Norway’s government “buys 1,000 copies of every book a Norwegian author publishes. It provides a $19,000 annual subsidy to every author.” In Argentina, “the city of Buenos Aires now gives pensions to published writers.”
“There was an inefficient system in place, and what I did was subvert it by an external rotation of reluctant holly jollies. Nasally, I came to understand that light is a thing that is produced through the collision of particulates, and boy isn’t that the truth.” As part of their year-end review, McSweeney’s republished their ten most popular pieces of 2014, including the above. Its title? “Donald Barthelme Narrates the Progress of the Reindeer.”
“I’m sure the ghost is fascinated by the N.Y.C. vs. M.F.A. debate, and would add that there’s a literary-world bias… toward writing done by the living.” The New Yorker interviews Rebecca Curtis about ghost stories and her latest piece of short fiction, “The Pink House.” For more about Curtis, check out our review of her debut collection Twenty Grand: And Other Tales of Love and Money.
“On closer inspection, however, the book comes off as something more complicated than a flowering of one eccentric and filthy man’s erotic imagination. Its elaborate descriptions of pleasure given and taken start to seem like scrims for a moral argument about what sorts of sexual behaviors should be ‘forbid’ and which should be encouraged—an argument refined in prison by an author deeply occupied with thoughts of punishment, dissipation, and sin.” On John Cleland’s (very erotic) novel Fanny Hill and the importance of its having been written in prison.